17th Century German Song Culture as Translational Culture

作为转化文化的 17 世纪德国歌曲文化

• 批准号: 405122038
• 负责人: Privatdozentin Dr. Astrid Dröse
• 金额: --
• 依托单位: Abteilung Neuere deutsche Literaturwissenschaft
• 依托单位国家: 德国
• 项目类别: Priority Programmes
• 财政年份: 2018
• 资助国家: 德国
• 起止时间: 2017-12-31 至 2022-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/405122038?language=en
• 关键词: 17th; Century; German; Song; Culture

The project deals with the 17th century German song culture from a literary as well as musicological perspective. It aims to explore song production within its cultural European preconditions and within the scope of cultural studies approaches (translational turn, research on cultural transfer) for the first time. Although there has been a scientific interest in songs (BRAUN 2004, AURNHAMMER/MARTIN 2004, KRÄMER/JAHN 2004, DRÖSE 2015), little attention has been paid to the fact German song writers (Albert, Greflinger, Rist, Zesen) used a wide range of texts, melodies and notations that had been common in Europe and which they adapted, transformed and modified in their textual and musical works. Songs thus represent central media within the early modern cultural transfer. Two main aspects have to be examined: 1. The transformation of lexis, metrics and the musical arrangement, 2. The sociological reframing, e.g. courtly contexts such as the French Air de cours vs. the music culture of the Protestants in Northern German cities. In this regard the project focuses on two major goals: it seeks to compensate a blank space in the field of research mentioned above in a European context. It therefore concentrates on case studies which will be collected in a miscellany. Based on the results of this book there will be a following project which will also be connected to the Schwerpunktprogramm in its second term. In this second term the main result shall be a „Repertorium des deutschen Barockliedes im europäischen Kontext“, which will deal systematically with the musical poetry of the long 17th century and will thus provide a useful tool for further research (esp. by setting up a database DELIBA). The project is closely linked to section 2 („Anthropologie und Wissen“).

该项目从文学和音乐学的角度探讨 17 世纪的德国歌曲文化。它旨在首次在欧洲文化前提下和文化研究方法（翻译转向、文化转移研究）范围内探索歌曲制作。尽管人们对歌曲产生了科学兴趣（BRAUN 2004、AURNHAMMER/MARTIN 2004、KRÄMER/JAHN 2004、DRÖSE 2015），但人们很少注意到德国歌曲作者（Albert、Greflinger、Rist、Zesen）使用了欧洲常见的各种文本、旋律和符号，并在他们的歌曲中对这些文本、旋律和符号进行了改编、改造和修改。文本和音乐作品。因此，歌曲代表了现代早期文化转移中的中心媒体。必须检查两个主要方面： 1. 词汇、度量和音乐编排的转变， 2. 社会学重构，例如宫廷环境，如法国的 Air de cours 与德国北部城市新教徒的音乐文化。在这方面，该项目侧重于两个主要目标：旨在弥补欧洲背景下上述研究领域的空白。因此，它集中于案例研究，这些案例研究将收集在杂录中。根据本书的结果，将有一个以下项目，该项目也将在第二个学期与 Schwerpunkt 计划相关联。第二学期的主要成果将是“Repertorium des deutschen Barockliedes im europäischen Kontext”，它将系统地处理漫长的 17 世纪的音乐诗歌，从而为进一步的研究提供有用的工具（特别是通过建立数据库 DELIBA）。该项目与第 2 部分（“人类学与智慧”）密切相关。