Scenographic Knowledge and the Archive: Staged Spaces between Artistic Practice, Cultural Memory and Scientific Reflexion

场景知识与档案：艺术实践、文化记忆与科学反思之间的舞台空间

• 批准号: 411250630
• 负责人: Privatdozentin Dr. Birgit Elke Wiens
• 金额: --
• 依托单位: Institut für Medienkultur und Theater
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2018
• 资助国家: 德国
• 起止时间: 2017-12-31 至 2019-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/411250630?language=en
• 关键词: Scenographic; Knowledge; Archive; Staged; Spaces

This project, entitled »Scenographic Knowledge and the Archive«, is a part of the research project »Scenography: Epistemes and Aesthetic Productiveness in the Contemporary Arts« at LMU Munich, which is funded by the DFG Heisenberg Programme. This larger project adresses concepts and aesthetics of contemporary scenography. As a production and mise-en-scene of space, scenography today appears in many guises: The spectrum ranges from stage sets and theatre scenography, performance design and ›environmental scenography‹ through exhibition scenography, film and media scenography to urban environments, spatial design and staged commercial events. Starting from this observation, the conference seeks to explore scenography as an interdisciplinary arts phenomenon. In its diversity of forms, scenography emerges primarily not as a visual art but rather as a spatial art, in which media, objects and scenographic constellations do not figure as a mere backdrop or décor, rather they are actors and ›non-human agents‹ (Latour) within performative processes. It is in this way that scenographic practices shape our spatial experience and perception. This project – in addition to discussing questions of aesthetics of reception – aims to reflect on artistic aesthetics of production by looking at draft and rehearsal processes, spatial and visual concepts, scenographic tools (models, visual storyboards, computer-aided directing etc.), various forms of notation and the question of ›scenographic knowledge‹. How does scenography operate as an art form, a design practice and discourse, and what kinds of knowledge are expressed on both process and outcome? The project module »Scenographic Knowledge and the Archive«, a one-day symposium to the held in Berlin in Fall 2019, explores modes of documenting and archiving scenographic artwork, and especially focusses on ways of knowledge production (›Performing the archive‹, digitalization/digital reconstruction and simulation etc.) and on varying constellations between archive and design practice. The aim is to observe the interdisciplinarity as well as ongoing diversification of contemporary scenography, and also to raise questions on cultural heritage, genres and media specifity, knowledge transfer, local vs. global practices, internationalism and cultural exchange. Combined with case studies of ›scenographic design in action‹, the research aims to develop a theoretical framework for understanding scenography as an art practice and disourse (scenography as ›dispositif‹) and, in addition, provide tools for analysis.

该项目名为“场景知识和档案”，是慕尼黑LMU研究项目“场景：当代艺术中的认识和审美生产力”的一部分，该项目由DFG海森堡计划资助。这个更大的项目致力于当代景观设计的概念和美学。作为一种空间的生产和场景，场景设计今天以多种形式出现：范围从舞台布景和剧院场景设计，表演设计和环境场景设计，通过展览场景设计，电影和媒体场景设计到城市环境，空间设计和舞台商业活动。从这一观察出发，会议旨在探索作为一个跨学科的艺术现象。在其形式的多样性中，场景设计主要不是作为视觉艺术出现，而是作为一种空间艺术，其中媒体，物体和场景设计星座不仅仅是背景或装饰，而是表演过程中的演员和非人类代理人（拉图尔）。正是通过这种方式，透视法实践塑造了我们的空间体验和感知。该项目除了讨论接受美学问题之外，还旨在通过研究草稿和排练过程、空间和视觉概念、布景工具（模型、视觉故事板、计算机辅助导演等）来反思制作的艺术美学。），各种形式的符号和问题的“透视知识”。透视如何作为一种艺术形式，一种设计实践和话语，以及在过程和结果上表达了什么样的知识？项目模块“场景知识与档案”是2019年秋季在柏林举行的为期一天的研讨会，探讨了记录和存档场景艺术品的模式，特别关注知识生产的方式（执行档案，数字化/数字重建和模拟等）。以及档案和设计实践之间的不同星座。其目的是观察跨学科以及当代舞台设计的持续多样化，并提出有关文化遗产，流派和媒体特性，知识转移，本地与全球实践，国际主义和文化交流的问题。结合案例研究的，研究的目的是开发一个理论框架，理解scenography作为一种艺术实践和话语（scenography作为），并提供分析工具。