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Study of Architectural topo-logy on genesis of paysage

风景成因的建筑拓扑学研究

基本信息

批准号：
06650707
负责人：
KATO Kunio
金额：
$ 1.41万
依托单位：
KYOTO UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for General Scientific Research (C)
财政年份：
1994
资助国家：
日本
起止时间：
1994 至 1995
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-06650707/
关键词：
place khora construction site research genius loci paysage architectural work milieu Sein (Being)建築的風景ル・コルビュジエLe Corbusier コーラkohra ゲニウス・ロキGeniusu Loci アルケ-archeとテロスtelos 自己実現ラ・トゥーレット修道院Couvent de La Tourette 景観生成歩行経路のト

项目摘要

Genesis of architectural paysage can be understood as a simultaneous and total phenomena, constituted by 2 moments, firstly an architectual creation (poiesis) and secondarily "paysage" apparition in which architectural work is included. About all of Le Corbusier's works, building site context and architectual proto-type were examined. We then find out certain significant category-types concerning a realization of "paysage". These are 1) architectural path (promenade architecturale) which is one of basic elements, vector forming agent of topo-logical domain, 2) setting of floating horizontal plan by means of "piloti, toit-jardin", etc., 3) vertical movement such as standing-up and rising-up toward a sky. Plastic forms of Le Corbusier's works representing these movement operate as a signal in space a virtual movement of man who habitate them.On other hand, as a spatial meaning, we find out several category-types. These are 1) descent toward a infinite depth, 2) pastoral dream in Vergilia … More n poetic sense, 3) interiority as being in a cave, or "grotto", symbol of womb, 4) sea image as a reflector of existential depth. Above mentioned 3 significant works (La Villa Savoye (1929), La Chapelle de Ronchamp (1951), Le Couvent de la Tourette (1957) to which we can probably add L'United' Habitation de Marseilles) are representative examples concretising these categoric-archetype and realizing existential space.We have then described structurally architect's creative process, from archetype classified by material (hyletic) and formal (eidetic) through different qualitative phases of "heideggerian thing (das Ding or dingen), in the term of "incarnation", coming forth concealed under a formal phenomena. A finalty of this becoming is a realization of a true Architectural Paysage.All these dynamic architectural process, could be resumed thematically as "Basho" or place, synonym of "Oitearu" in NISHIDA philosophy based on "Basho-no-ronri", with a close relationship to platonic khora and roman genius-loci. This study is accompanied by Kamigamo-Shrine site analysis and ritual interpretation, that furnished a concrete base for topo-analysis on architectural work. Less

建筑创作的发生可以被理解为一个同时的、整体的现象，由两个时刻构成，首先是建筑创作（创造），其次是包括建筑作品在内的“创作”的显现。对勒·柯布西耶的所有作品，建筑场地环境和建筑原型进行了研究。然后，我们找出一些重要的范畴类型有关的实现“paysage”。这些方法是：1）建筑路径（promenade architecturale），它是基本要素之一，是地形域的载体形成剂; 2）通过“piloti，toit-jardin”等方式设置浮动平面图; 3)垂直运动，如站立和向天空上升。柯布西耶作品中表现这些运动的造型形式，一方面作为空间的信号，作为居住在其中的人的虚拟运动，另一方面作为空间的意义，我们发现了几个范畴类型。这是1）下降到无限的深度，2）田园梦想在韦尔吉利亚 ...更多信息在诗歌意义上，3）洞穴或“洞穴”中的神秘性，子宫的象征，4）海的意象，存在的深度的反映。上述三项重要工作（《萨伏依别墅》（1929）、《朗尚礼拜堂》（1951）、《图雷特修道院》（1957），其中还可以加上《联合马赛的居住》）是具体化这些范畴原型、实现存在空间的代表性实例。从物质原型（本质原型）到形式原型（本质原型），通过海德格尔式的“物”（das Ding或dingen）的不同质的阶段，在“化身”的意义上，隐藏在一种形式现象之下而显现出来。所有这些动态的建筑过程，在主题上都可以被还原为“芭蕉”或”场所“，这是以“芭蕉之地”为基础的NISHIDA哲学中“Oitearu”的同义词，与柏拉图式的khora和罗马式的genius-loci有着密切的关系。本研究并辅以上贺茂神社的遗址分析与仪式解说，为建筑作品的地形分析提供了具体的基础。少