Study of Architectural topo-logy on genesis of paysage

建筑报酬的发生可以理解为一种同时发生的整体现象，由两个时刻构成，首先是建筑的创造（poiesis），其次是包含建筑作品的“报酬”显现。柯布西耶的所有作品都考察了建筑场地背景和建筑原型。然后，我们发现了一些关于“付款”实现的重要类别类型。1)建筑路径（promenade architecturale）是基本元素之一，是拓扑域的矢量形成主体；2)通过“piloti、toit- jarin”等方式设置浮动水平平面；3)垂直运动，如向天空站立和上升。柯布西耶作品的塑料形式代表了这些运动，在空间中作为一个信号，居住在其中的人的虚拟运动。另一方面，作为空间意义，我们发现了几个范畴类型。这些是1)向无限深处的下降，2)韦尔吉利亚的田园之梦……更诗意的是，3)在洞穴或“石窟”里的内在，子宫的象征，4)海的形象是存在深度的反映。上面提到的三件重要作品（《萨沃伊别墅》（1929）、《朗尚小礼拜堂》（1951）、《图雷特修道门》（1957），我们或许还可以加上《马赛的联合居所》）就是将这些范畴原型具体化，实现存在空间的典型例子。然后，我们从结构上描述了建筑师的创作过程，从被材料（hyletic）和形式（eidetic）分类的原型，通过海德格尔事物（das Ding或dingen）的不同定性阶段，在“化身”的术语下，隐藏在形式现象之下。这种转变的最终结果是实现了真正的建筑报酬。所有这些动态的建筑过程，都可以在主题上恢复为“Basho”或场所，这是西田哲学中基于“Basho-no-ronri”的“Oitearu”的同义词，与柏拉图式的khora和罗马天才场所有着密切的关系。本研究伴随着神龟神社遗址分析和仪式解释，为建筑作品的地形分析提供了具体的基础。少

Genesis of architectural paysage can be understood as a simultaneous and total phenomena, constituted by 2 moments, firstly an architectual creation (poiesis) and secondarily "paysage" apparition in which architectural work is included. About all of Le Corbusier's works, building site context and architectual proto-type were examined. We then find out certain significant category-types concerning a realization of "paysage". These are 1) architectural path (promenade architecturale) which is one of basic elements, vector forming agent of topo-logical domain, 2) setting of floating horizontal plan by means of "piloti, toit-jardin", etc., 3) vertical movement such as standing-up and rising-up toward a sky. Plastic forms of Le Corbusier's works representing these movement operate as a signal in space a virtual movement of man who habitate them.On other hand, as a spatial meaning, we find out several category-types. These are 1) descent toward a infinite depth, 2) pastoral dream in Vergilia … More n poetic sense, 3) interiority as being in a cave, or "grotto", symbol of womb, 4) sea image as a reflector of existential depth. Above mentioned 3 significant works (La Villa Savoye (1929), La Chapelle de Ronchamp (1951), Le Couvent de la Tourette (1957) to which we can probably add L'United' Habitation de Marseilles) are representative examples concretising these categoric-archetype and realizing existential space.We have then described structurally architect's creative process, from archetype classified by material (hyletic) and formal (eidetic) through different qualitative phases of "heideggerian thing (das Ding or dingen), in the term of "incarnation", coming forth concealed under a formal phenomena. A finalty of this becoming is a realization of a true Architectural Paysage.All these dynamic architectural process, could be resumed thematically as "Basho" or place, synonym of "Oitearu" in NISHIDA philosophy based on "Basho-no-ronri", with a close relationship to platonic khora and roman genius-loci. This study is accompanied by Kamigamo-Shrine site analysis and ritual interpretation, that furnished a concrete base for topo-analysis on architectural work. Less