The representation of "avant-garde music" in the 1920s French musical criticism

本研究以1910-1929年间的音乐评论为研究对象，旨在厘清当时的音乐期刊如何描述“前卫音乐”，以及在“法国音乐的演变”的背景下，评论家如何评价“前卫音乐”，以彰显法国在西方音乐史上的霸主地位。为了实现这一目标，他们将注意力转向“先锋音乐”，在巴黎寻求音乐语言的创新，并意图授权法国音乐的演变。

This project investigates musical criticism between 1910-1929 in order to clarify how musial periodicals described “avant-garde music” and what they evaluated in the context of the “Evolution of French Music” at that time.At that time, critics desired to demonstrate the supremacy of France in the history of western music. To achieve that goal, they attracted attention to “avant-garde music”, sought the innovation of langage musical in Paris, and intended to authorize the evolution of French music.