A Sutudy of Techiniqe, Material and Conservation of oil Paintings in Tokyo Bijutu Gakko

东京美术学校油画技术、材质及保存研究

• 批准号: 11480026
• 负责人: UTADA Shinsuke
• 金额: $ 8.38万
• 依托单位: Tokyo National University of Find Arts and Music Guraduate School of Fine Arts
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (B)
• 财政年份: 1999
• 资助国家: 日本
• 起止时间: 1999 至 2001
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-11480026/
• 关键词: Cnservation and Restration; oil painting techniques and materials; Scientific Investigation; Period of Meiji era; Gaiko-ha; Shlnpa(Muresakiha); Kuroda Seiki; Western Painting Course, Tokyo Bijutsu gakko

The study makes observation on oil painting works in the latter period of Meiji era from preserved works of The University Art Museum Tokyo National University of Fine Arts ＆ Music including the works by teachers of Western Painting Course, Tokyo Bijutsu gakko to research the aged deterioration, preservation and restoration condition, and to reveal the oil painting techniques and materials of Seiki Kuroda's group called"Gaiko-ha"as well as the idea and practical entire view of Tokyo Tokyo Bijutsu Gakko from the viewpoints of painting techniques and materials in addition to painting preservation and restoration skills.Observation of the works are carried out by general surveying the actual works, visible light photos (normal photo, side-light photo, and microscope photo), ultraviolet fluorescent photo, infrared-ray photo, and X-ray photo. Adding the study result leads a completed research from the first period to the latter period of Meiji era. As a result, the following facts were revealed.Through the analysis, etc. of the works, disadvantageous points of zinc white including cracks and removal of upper-layer pigments are pointed out, but some works has the base layer of zinc white as the main component, and the adhesion with the pigment layer was favorable. Accordingly, a new study theme to research the reason was recognized.Also, ultraviolet fluorescent photo revealed the combination use of lead white and zinc white and that it is effective to judge the used areas.Through the entire research, it was revealed that painting techniques and materials were lightly considered after the latter period of Meiji era in order to lay stress on "Expression" in comparison with the first period of Meiji era when the introduction of formal oil painting technique was considered important. In addition, the investigation to oil painting materials and techniques had not been actively carried out because of being engaged in the transfer of new art movement of Europe.

The study makes observation on oil painting works in the latter period of Meiji era from preserved works of The University Art Museum Tokyo National University of Fine Arts & Music including the works by teachers of Western Painting Course, Tokyo Bijutsu Gakko to research the aged definition, preparation and restoration condition, and to reveal the oil painting techniques and materials of Seiki Kuroda's group called "Gaiko-ha" as well as the idea and practical entire view of从绘画技术和材料的角度来看，东京东京Bijutsu Gakko除了绘画保存和恢复技能外，作品的观察是通过一般测量的实际作品，可见光的照片（正常照片，侧面光照和显微镜照片），紫外线荧光照片，紫外照片，Isfrared-Ray-Ray Photo和X-Ray Photo和X-Ray的照片来进行的。从第一阶段到明治时代的后期，添加研究结果是一项完整的研究。结果，指出了作品的分析等。通过对作品进行分析等。锌白色的不利点，包括裂纹和去除上层色素，但有些作品具有白色锌白色的基础层作为主要组成部分，与色素层的粘合层是有利的。和锌白色，判断用过的区域是有效的。通过整个研究，揭示了明治时代后期之后绘画技术和材料在与明治时代的第一个时期相比对“表达”施加压力，当时引入正式油画技术很重要。此外，由于从事欧洲新艺术运动的转移，对油画材料和技术的投资并未积极进行。

项目成果

歌田眞介: "高橋由一から黒田清輝の時代へ油画を読む解剖された明治の名品たち"東京芸術大学大学美術館協力会. 176 (2001)

宇多田信介：“从高桥雄一时代到黑田精辉时代的明治时代名作的剖析”东京艺术大学大学美术馆合作协会176（2001）。