Venetian Painting of the 15th and 16th century in the Alte Pinakothek Munich, with special focus on painting technology

慕尼黑老绘画陈列馆展出 15 世纪和 16 世纪的威尼斯绘画，特别注重绘画技术

• 批准号: 457165419
• 负责人: Dr. Andreas Schumacher
• 金额: --
• 依托单位: Bayerische Staatsgemäldesammlungen
• 依托单位国家: 德国
• 项目类别: Research Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/457165419?language=en
• 关键词: Venetian; Painting; 15th; 16th; century

The aim of the interdisciplinary research project is to explore the relation between the various artistic and technical factors that shaped the transformations in painting styles characteristic of 16th-century Venetian painting. The holdings of the Bavarian State Painting Collections, which historically have grown to offer representative insights into the painting of Renaissance Venice, provide an interdisciplinary team of art historians, restorers and scientists with the opportunity to trace the changing ways in which Venetian painters dealt with the materials of their work and the creative process itself. By combining art-historical examination with restauration expertise and scientific analyses, the project focuses on the following questions: Is there a technological equivalent for a brushstroke which, in art-historical terms, would be described as "swift" - and if so, how can its material quality be specified? Does an application of paint which is usually characterized as "open" necessarily involve modifications in priming, imprimitura and underdrawing? Did the change in brushwork generally increase the speed of the working process or did it, on the contrary, even slow it down precisely because of its openness to revision? Contemporary art theory celebrated the conscious display of technical bravura which conveyed the impression that the artist had brought forth his ideas with playful ease. Is the new mode of painting therefore an expression of growing artistic sovereignty and is it, consequently, particularly evident in the painters’ "late style"? Seemingly spontaneous works were aimed at a receptive public that understood the sensual value of an open, painterly style as part of the creative process and as a new form of expressiveness. Accordingly, the visible stroke of the brush, which with its material presence challenges the imaginative potential of the viewer, is to be discussed both as a self-representation of the artist and as an invitation for the recipient to participate in the act of creation itself. With a total of ca. 210 paintings, the Alte Pinakothek keeps one of the most important collections of Venetian Renaissance paintings outside Italy. The aim of the interdisciplinary project is to examine these works through state-of-the-art technological methods and a wide range of art-historical approaches. A selection of 51 paintings, which promise particularly significant results, will be thoroughly investigated using technical imaging and material analysis in combination with comprehensive art-historical research and discussion. The remaining 156 works will be made accessible for research through a basic technological examination and a general art-historical classification. By integrating art-historical and technological perspectives throughout catalogue articles and overarching essays, the project will contribute to the study of 16th-century Venetian painting far beyond the scope of traditional catalogue research.

跨学科研究项目的目的是探索各种艺术和技术因素之间的关系，这些因素塑造了16世纪威尼斯绘画风格的转变。巴伐利亚国家绘画收藏馆的藏品在历史上已经发展成为文艺复兴时期威尼斯绘画的代表性见解，为艺术历史学家，修复师和科学家提供了一个跨学科团队，有机会追踪威尼斯画家处理其作品材料和创作过程本身的变化方式。通过将艺术史研究与修复专业知识和科学分析相结合，该项目专注于以下问题：在艺术史术语中，是否有一种技术等同物可以被描述为“快速”的笔触-如果是这样，如何确定其材料质量？通常被称为“开放”的油漆的应用是否必然涉及底漆、底漆和底画的修改？笔法的变化是普遍提高了工作过程的速度，还是恰恰相反，因为它对修改的开放性，甚至减慢了工作过程？当代艺术理论颂扬有意识地展示技术上的勇敢，这种勇敢传达了这样一种印象，即艺术家轻松地提出了自己的想法。因此，这种新的绘画模式是否是一种日益增长的艺术主权的表达，因此，它是否在画家的“晚期风格”中特别明显？ 看似自发的作品是针对一个接受公众理解的感官价值的开放，绘画风格的一部分，创作过程和作为一种新的表现形式。因此，画笔的可见笔触以其物质存在挑战了观众的想象潜力，既可以作为艺术家的自我表现，也可以作为接受者参与创作行为本身的邀请来讨论。总的CA。Alte Pinakothek拥有210幅画作，是意大利以外最重要的威尼斯文艺复兴时期画作收藏之一。跨学科项目的目的是通过最先进的技术方法和广泛的艺术史方法来检查这些作品。选择51幅画，其中承诺特别重要的结果，将使用技术成像和材料分析结合全面的艺术史研究和讨论进行彻底调查。其余156件作品将通过基本技术检查和一般艺术史分类进行研究。通过将艺术历史和技术观点融入整个目录文章和总体论文中，该项目将有助于对16世纪威尼斯绘画的研究，远远超出传统目录研究的范围。