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THE ETHNIC ENTERTAINERS ACROSS BORDERS OF ETHNICITY AND NATIONS: NEW TREND OF JAPANESE SUBCULTURE

跨民族、跨国家的民族艺人：日本亚文化新动向

基本信息

批准号：
12410063
负责人：
SHIRAMIZU Shigehiko
金额：
$ 4.16万
依托单位：
MUSASHI UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2002
项目状态：
已结题

项目摘要

The results of this research show two aspects as follows.1. we revealed the several processes of making of culture regarding entertainment, which is created by ethnic minorities and new comers.(1) We clarified the activities of ethnic leaders based on their strategy for adjustment with any relations to their mother country. In this case, entertainment is non-profitable and supported by volunteers. In another case, entertainment turns to be business by performers, promoters, and people from ethnic media. In any cases, realization of entertainment events needs network and cooperation of people inside of the ethnic community as well as outside of the community.(2) We tried to find out the mechanism of creating entertainment by descendent of old timers. Our research shows how young generation of ethnic minorities make "our culture" againsit the influence of dominant culture. At the same time, we also pointed out that the music movements as expressions of ethnic identity tends to be taken in by the music enterprises, and they are consumed by people in host society.(3) We traced the diffusion of Japanese performing art Butoh by fieldwork in North America. The result shows that not only professional artists, but also amateurs are involved in the performing arts who have interested in other culture. It shows that any kind of subculture of its turning to be worldly known cultural item as globalization is under way.2. We researched production and distribution of media contents in East Asia from the viewpoint of globalization. Also we researched the value orientation of workers of these media by fieldwork, who support the system. This research showed that local Japanese media are interested in TV programs of other Asian countries however, they still hesitate to introduce them because of prejudicial aspect in mass society.

研究结果表明：1.我们揭示了少数民族和新来者创造的娱乐文化的几个过程。(1)我们根据民族领导人调整与其祖国关系的战略，澄清了他们的活动。在这种情况下，娱乐是非盈利的，由志愿者支持。在另一种情况下，娱乐变成了表演者、推广者和少数民族媒体人的生意。无论如何，娱乐活动的实现需要族群内部和族群外部的人的网络和合作。(2)我们试图找出老前辈的后代创造娱乐的机制。我们的研究表明，少数民族青年一代如何使“我们的文化”对抗主流文化的影响。同时，我们也指出，音乐运动作为民族认同的表达，往往会被音乐企业所吸纳，并被东道国社会的人们所消费。(3)我们通过在北美的实地考察追踪了日本表演艺术武藤的传播。结果表明，不仅专业艺术家，而且业余爱好者也参与表演艺术，他们对其他文化感兴趣。这表明，任何一种亚文化都在向全球化的文化项目转变.我们从全球化的角度研究了东亚媒体内容的生产和传播。通过实地调查，我们还对支持这一制度的媒体工作者的价值取向进行了研究。调查结果显示，日本媒体对亚洲其他国家的电视节目很感兴趣，但由于大众社会的偏见，他们仍然不愿意介绍这些节目。