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THE WORLD WARS AND RUSSIA: HISTORICAL STUDIES ON POLITICS AND CULTURE

世界大战和俄罗斯：政治和文化的历史研究

基本信息

批准号：
13490011
负责人：
WATANABE Masaji
金额：
$ 9.6万
依托单位：
TOKYO UNIVERSITY OF FOREIGN STUDIES
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
2001
资助国家：
日本
起止时间：
2001 至 2003
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-13490011/
关键词：
TOTAL WAR SOVIET UNION STALINISM AVANT-GARDE RUSSIAN REVOLUTION PLANNING TOTALITARIANISM TERROR

项目摘要

This research project aimed at analyzing multidisciplinary structural changes in the fields of politics, economy, culture and arts under the influence of World Wars. It expanded beyond the findings made by the research project, grant-in-aid for scientific research (B) (2) "Historical Studies on Russian Politics and Culture during the Period between the World Wars" (1998-2000).In the area of cultural history, we inquired interactions between Soviet artists and writers, and the Soviet Power in the period of Terror, during World War II, and after the War. For example, KAMEYAMA Ikuo, in his article "Opera and Power Struggle," analyzed Stalin's severely critical comment on Shostakovich's opera and political climate behind this critical campaign. In the area of political history, several articles illuminated realities of Soviet political regime through the prism of the political discourse and the ideology in Post-Soviet Russia.KAMBYAMA Ikuo's monograph, Enthusiasm and Euphoria: An introduction to the Stalinogogy, was the fruits of tinterdisciplinary work. He threw light on aliness and totality in the base structure of Russian society, and thereby, illustrated interactions between political structure of the Soviet Union and the undercurrent of Russian thoughts. His book not only inquired Stalinist power apparatus and the structure of Soviet culture in the period of total-war, but also tried to develop a new approach for the study of culture and arts in totalitarian regime

该研究项目旨在分析世界大战影响下政治，经济，文化和艺术领域的多学科结构变化。本研究的内容不仅限于科学研究补助金（B）（2）“两次世界大战之间的俄罗斯政治与文化的历史研究”（1998-2000）的研究成果。在文化史方面，我们调查了恐怖时期、第二次世界大战期间和战后苏联艺术家和作家与苏维埃政权之间的互动。例如，Kameyama Ikuo在他的文章“歌剧和权力斗争”中分析了斯大林对肖斯塔科维奇歌剧的严厉批评以及这场批评运动背后的政治气候。在政治史领域，有多篇文章从政治话语和意识形态的角度揭示了后苏联时期苏联政治体制的现实，其中甘边郁夫的专著《热情与兴奋：斯大林学导论》是跨学科研究的成果。他揭示了俄罗斯社会基本结构中的一致性和整体性，从而说明了苏联政治结构与俄罗斯思想暗流之间的互动关系。他的著作不仅探讨了斯大林主义的权力机构和苏联在全面战争时期的文化结构，而且试图为极权主义政权下的文化艺术研究开辟一条新的途径