THE WORLD WARS AND RUSSIA: HISTORICAL STUDIES ON POLITICS AND CULTURE

本研究项目旨在分析在世界大战的影响下，政治、经济、文化和艺术领域的多学科结构变化。它扩展了科学研究资助项目(B)(2)“两次世界大战期间俄罗斯政治和文化的历史研究”（1998-2000）的研究结果。在文化史方面，我们探讨了苏联艺术家和作家与苏联政权在恐怖时期、第二次世界大战期间和战后的互动。例如，龟山郁夫在他的文章《歌剧与权力斗争》中，分析了斯大林对肖斯塔科维奇歌剧的严厉批评，以及这场批评运动背后的政治氛围。在政治史领域，几篇文章通过政治话语和后苏联时期俄罗斯意识形态的棱镜，揭示了苏联政权的现实。Ikuo的专著《热情与狂喜：斯大林主义导论》是跨学科工作的成果。他揭示了俄罗斯社会基础结构的统一性和整体性，从而阐明了苏联政治结构与俄罗斯思想暗流之间的相互作用。他的书不仅探究了斯大林主义的权力机器和全面战争时期的苏联文化结构，而且试图为极权主义政权下的文化艺术研究开辟一条新的途径

This research project aimed at analyzing multidisciplinary structural changes in the fields of politics, economy, culture and arts under the influence of World Wars. It expanded beyond the findings made by the research project, grant-in-aid for scientific research (B) (2) "Historical Studies on Russian Politics and Culture during the Period between the World Wars" (1998-2000).In the area of cultural history, we inquired interactions between Soviet artists and writers, and the Soviet Power in the period of Terror, during World War II, and after the War. For example, KAMEYAMA Ikuo, in his article "Opera and Power Struggle," analyzed Stalin's severely critical comment on Shostakovich's opera and political climate behind this critical campaign. In the area of political history, several articles illuminated realities of Soviet political regime through the prism of the political discourse and the ideology in Post-Soviet Russia.KAMBYAMA Ikuo's monograph, Enthusiasm and Euphoria: An introduction to the Stalinogogy, was the fruits of tinterdisciplinary work. He threw light on aliness and totality in the base structure of Russian society, and thereby, illustrated interactions between political structure of the Soviet Union and the undercurrent of Russian thoughts. His book not only inquired Stalinist power apparatus and the structure of Soviet culture in the period of total-war, but also tried to develop a new approach for the study of culture and arts in totalitarian regime