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Research on Kachou-ga(Bird and Flower Paintings) of the Edo Period and Folkloric Traditions

江户时代花鸟画与民俗传统研究

基本信息

批准号：
15520096
负责人：
IMAHASHI Riko
金额：
$ 2.37万
依托单位：
Gakushuin Women's College
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2003
资助国家：
日本
起止时间：
2003 至 2005
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-15520096/
关键词：
Paintings of the Edo period Kachou-ga (Bird and Flower paintings)Animal Paintings Natural History Paintings and Literature Studies in Comparative Culture Word and Image Art History and Folklore 江戸絵画アニマル・アート Animal Art 民俗学と美術史民間伝

项目摘要

This study was conducted over a period of three years. Edo period Kachou-ga remain in various parts of Japan, and in 2003 and 2004, fieldwork was carried out, with a particular focus on the Maruyama-Shijyo School of Kyoto, and the Animal paintings of the Mori School of Osaka. The results were collected in the form of photographs and data regarding the works. I had expected to discover a vast amount of information, but the results have far surpassed that level, and I intend to continue with my research even after the completion of this study. For the purposes of this particular study, the most important works for discussion were identified as being the puppy paintings by Nagasawa Rosetsu of the Maruyama-Shijyou School, and the paintings of wild boar by Mori Ippou of the Mori School. The need for re-assessing the interpretation of the themes of these works then became apparent. This is due to the fact that while the Bird and Flower paintings of the East are traditionally imbued with sign … More s of good fortune, the Animal paintings of the Edo period often depart from this practice, and frequently contain elements of social satire, folk beliefs, or word-play which reflect the humour of the people of the Edo period. There were also instances where legends and traditions about artists (regarding the founders of the respective schools) or works of literature (particularly Waka, the traditional Japanese poetry composed with 31 syllables) were referenced and depicted in the manner of Mitate (analogy). Therefore, the analysis of Animal paintings call for a completely different perspective and methodology from the conventional approach. I identified Symbol, Anthropomorphism, and Word-play as three thought processes that should be brought to bear in addition to the conventional tools for the interpretation of Kachou-ga when discussing Animal paintings of the Edo period. There was also a need to tap into studies in the fields of Japanese Literature, History, Folklore, and Historical Sociology, and to employ the methodologies of studies of Comparative Culture, while the study itself remained rooted in the Art History of the Edo period. The findings were collected in Edo no Doubutsu-ga - Kinsei Bijyutsu to Bunka no Kouko-gaku (Animal Pictures of Edo - An Archeological Study of the Art and Culture of the Early-modern Era : Tokyo Daigaku Shuppankai, 2004, P376) which discusses Animal paintings through the motifs of rabbits, birds, wild boar, insects, dogs and foxes. Less

这项研究进行了三年。江户时期的kachouga在日本的许多地方都有保留，在2003年和2004年，进行了实地考察，特别关注京都的Maruyama-Shijyo画派和大阪森画派的动物绘画。结果以照片和有关作品的数据的形式收集。我期望能发现大量的信息，但结果远远超过了这个水平，即使完成了这项研究，我也打算继续我的研究。为了进行这项特别的研究，最重要的讨论作品被确定为丸山石友派的长泽罗津的小狗画，以及森派的森一浦的野猪画。重新评估这些作品的主题解释的必要性变得显而易见。这是因为东方的鸟花画传统上充满了吉祥的象征，而江户时代的动物画往往偏离了这一做法，经常包含社会讽刺、民间信仰或文字游戏的元素，反映了江户时代人们的幽默。也有一些关于艺术家的传说和传统（关于各自流派的创始人）或文学作品（特别是和歌，由31个音节组成的传统日本诗歌）被引用并以Mitate（类比）的方式描述的例子。因此，对动物绘画的分析需要一个完全不同于传统的视角和方法论。在讨论江户时代的动物绘画时，我将符号、拟人化和文字游戏确定为除了解释Kachou-ga的传统工具之外，还应该考虑的三种思维过程。此外，还需要深入研究日本文学、历史、民俗学和历史社会学等领域，并采用比较文化研究的方法，而研究本身仍植根于江户时代的艺术史。这些发现被收录在《江户的动物图画——近代早期艺术文化的考古研究：东京大学社，2004年，第376页》中，通过兔子、鸟、野猪、昆虫、狗和狐狸等主题来讨论动物绘画。少

项目成果

期刊论文数量（23）

专著数量（0）

科研奖励数量（0）

会议论文数量（0）

专利数量（0）

高貴なる花々の肖像--「花木真写」の科学・思想・芸術

高贵花朵肖像--“花木摄影”的科学、思想与艺术

DOI：
发表时间：
2005
期刊：
植物画の至宝・花木真写真(淡交社)
影响因子：
0
作者：
ステラ・ジブコバ;伊東信宏;今橋理子;渡辺浩司他訳・注・解説;Saburo Kimura;今橋理子;ITO Nobuhiro;Yusauhiro Onozaki;Koji Watanabe tr.;今橋理子
通讯作者：
今橋理子

江戸の動物たちを探して

在江户寻找动物