Edo Animals : A Comprehensive Study of Period Imagery

江户动物:时代意象的综合研究

• 批准号: 11610062
• 负责人: IMAHASHI Riko
• 金额: $ 1.86万
• 依托单位: Gakushuin Women's College
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1999
• 资助国家: 日本
• 起止时间: 1999 至 2001
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-11610062/
• 关键词: Edo-period drawings; Flower-and-Bird pictures; Representation of Animals; Iconology of Japanese paintings; the Maruyama school; painting and literature; Natural-History drawings; 博物図譜; 江戸絵画; 表象; 民俗伝承; 動物表現; 博物学; 江戸文化

This study was conducted over a period of 3 years. 1999 and 2000 were spent on identifying the locations of examples of animal art of the Edo period that exist all over Japan, and in gathering a vast quantity of photographs, as well as information about these works. During this process, it became evident that many animal paintings of the Edo period have a "distinctive" meaning that clearly differentiate them from the context of traditional "Bird and Flower paintings" that are a shared feature of the cultures of East Asia. "Bird and Flower paintings" usually depict motifs of good omen, such as "longevity" or "wealth and prosperity". Animal art of the Edo period, however, often include examples of "social caricature" and "popular beliefs" of the day, which were unrelated to these motifs. These discoveries provide an opportunity to establish a new perspective for theentire body of study of Bird and Flower paintings of the Edo period. It was proven that a new interpretation was possible th … More rough a new reading of some of these works. This process was more complex than anticipated, as it involved the identification and reconstruction of "discourse", "language", "customs", and "lifestyles" that are now forgotten. The study of folklore and literature also seemed to be relevant, so 2000 and 2001 included additional research and information gathering regarding representations of animals in other fields. Some of the findings have been published in "Rabbit as the Moon : A Study of Animal Art of Edo Period, Vol. 1" (Bulletin of Gakushuin Women's College, Volumes 1 and 2, March 2001 and March 2002). This considered the meanings of the various images of the rabbit in Japanese culture, looking at examples from literature, art, and religion since the middle ages. Further study is being conducted on dog, hawk, monkey, and insect imagery. The collected results are to be published as Animal Representation in the Edo Period (working title) from The University of Tokyo Press by the end of fiscal year 2003. Less

这项研究历时3年。1999年和2000年，他们花了大量的时间来确定江户时代的动物艺术样本在日本各地的位置，并收集了大量的照片以及关于这些作品的信息。在这个过程中，很明显，江户时代的许多动物绘画都有一种“独特”的含义，这明显有别于东亚文化的共同特征--传统的“花鸟画”。“花鸟画”通常描绘吉祥的图案，如“长寿”或“富贵兴旺”。然而，江户时代的动物艺术经常包括与这些主题无关的当时的“社会讽刺”和“流行信仰”的例子。这些发现为整个江户时期的花鸟画研究提供了一个新的视角。事实证明，一种新的解释是可能的，即…对其中一些作品进行更粗略的重新解读。这一过程比预期的要复杂得多，因为它涉及识别和重建如今已被遗忘的“话语”、“语言”、“习俗”和“生活方式”。民俗学和文学的研究似乎也是相关的，因此2000年和2001年包括了关于其他领域动物表现的额外研究和信息收集。其中一些研究结果已发表在《兔如月：江户时代动物艺术研究》(Gakushuin女子学院公报，第1卷和第2卷，2001年3月和2002年3月)上。这考虑了兔子在日本文化中的各种形象的含义，观察了中世纪以来的文学、艺术和宗教的例子。对狗、鹰、猴子和昆虫形象的进一步研究正在进行中。收集的结果将在2003财政年度结束前由东京大学出版社出版，名为《江户时代的动物表现》(暂定标题)。较少

项目成果

今橋理子: "江戸の動物表象"東京大学出版会(仮題). 400 (2003)

今桥梨子：《江户的动物表现》东京大学出版社（暂定名）400（2003）。

今橋理子: "<月の兎>の図像と思考(下)"学習院女子大学紀要. 4号. 1-31 (2002)

今桥梨子：《月兔的图像学与思想（第2部分）》学习院女子大学通报第4. 1-31号（2002年）。