Research on the Secrecy and Genres in the Seventeenth-Century Royalist Literature in England

英国十七世纪保皇党文学的隐秘与流派研究

• 批准号: 15520160
• 负责人: MATSUZAKI Takeshi
• 金额: $ 1.73万
• 依托单位: Ochanomizu University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2003
• 资助国家: 日本
• 起止时间: 2003 至 2006
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-15520160/
• 关键词: Seventeenth Cent; Poet; Royalist; Engalud; Literary Genres; イギリス文学; ジャンル; パストラル

The points made through this research are the following:1.While the popular genres that thrived in cheap-print media (song, ballad, litany etc.) rarely show highly cryptic representations, the aristocratic genres that had a more limited readership (love poetry, pastoral, meditative or religious poetry etc.) are often utilized as camouflage or codes to impart secret messages.2.While such genres as love poetry and religious poetry are rather simply used for camouflage, pastoral has a more direct bearing on generating cryptic meanings in terms of the cultural and historical codes it contains. Pastoral also seems to have enabled the limited readership to hold on to their cultural and political identity allowing them to share such aristocratic codes.3.The secrecy of the royalist literature seems to have been part of the royalist enterprise to maintain their cultural and social authority by mystifying, and claiming to have privileged access to, divine substance such as God and King understood as the ultimate source of their authority.4.To show how genres are used for camouflage, I focused on Henry Vaughan's "The World" and argued that it is a highly genre-conscious enterprise that skillfully utilizes the genre of religious poetry usually understood as a poet's private prayer to criticize, in actuality, the speaker himself who is implicitly characterized as a Puritan preacher.5.Through this research I greatly enlarged my knowledge of genre theories in general, histories and conventions of respective genres, and some of the contemporary prose genres.For future projects, I am planning to focus on more theoretical issues concerning literary genres.

本研究的主要结论如下：1.在廉价印刷媒体中盛行的流行体裁（歌曲、民谣、连环画等），很少表现出高度神秘的表现，贵族体裁的读者群更有限（爱情诗，田园诗，冥想或宗教诗等）。爱情诗、宗教诗等文体的作用只是伪装，而田园诗则更直接地产生了它所包含的文化和历史密码的神秘意义。田园诗似乎也使有限的读者能够坚持他们的文化和政治身份，使他们能够分享这样的贵族代码。保皇党文学的秘密似乎是保皇党企业的一部分，以维持他们的文化和社会权威，通过神秘化，并声称有特权进入，神圣的物质，如上帝和国王，被理解为他们权威的最终来源。4.为了说明体裁是如何被用来伪装的，我专注于亨利沃恩的“世界”，并认为这是一个高度体裁意识的企业，巧妙地利用宗教诗歌的体裁通常被理解为诗人的私人祈祷批评，事实上，演讲者本人被含蓄地描述为清教徒传教士。5.通过这项研究，我极大地扩大了我对一般体裁理论、各个体裁的历史和惯例以及一些当代散文体裁的了解。对于未来的项目，我计划关注更多有关文学体裁的理论问题。

项目成果

イギリス内乱期王党派の唄・俗謡・連祷-言論統制と大衆煽動

英国内战期间的保皇党歌曲、民歌和连祷文：控制言论和煽动群众

• 发表时间: 2004
• 期刊: お茶の水女子大学人文科学紀要 57
• 作者: 松崎 毅;松崎 毅;Takeshi Matsuzaki;Takeshi Matsuzaki;松崎 毅;松崎 毅;松崎 毅
• 通讯作者: 松崎 毅

「我らが象形文字たる王」-17世紀イギリス王党派詩と隠蔽の政治学

“我们的象形文字国王”——17世纪英国保皇党诗歌与隐秘政治

• 发表时间: 2005
• 期刊: お茶の水女子大学人文科学研究 1
• 作者: 松崎 毅

What the Silenced I Tells about : The Preacher Persona in The World

沉默的我讲述了什么:世界上的传教士角色

• 发表时间: 2005
• 期刊: Studies in English Literature 82
• 作者: 松崎 毅;松崎 毅;Takeshi Matsuzaki;Takeshi Matsuzaki
• 通讯作者: Takeshi Matsuzaki

「私」の沈黙が語るもの-"The World"における「説教師」のペルソナ

“我”的沉默在诉说什么：《世界》中“传教士”的角色

• 发表时间: 2005
• 期刊: 英文學研究 82
• 作者: 松崎 毅;松崎 毅
• 通讯作者: 松崎 毅

「我らが象形文字たる王」:17世紀イギリス王党派詩と隠蔽の政治学

“我们的象形文字国王”：17世纪英国保皇党诗歌与隐秘政治

• 发表时间: 2005
• 期刊: お茶の水女子大学人文科学研究 第1巻(未定)
• 作者: 松崎 毅;松崎 毅;Takeshi Matsuzaki;Takeshi Matsuzaki;松崎 毅;松崎 毅
• 通讯作者: 松崎 毅