The relationship between perception and aesthetic preference on color and shape - An attempt to unity experimental phenomenology and empirical aesthetics

实验现象学已经证明，知觉比视觉刺激丰富得多。正如在视觉感知中所看到的，一个相同的刺激提供了不止几种外观模式或感知维度。我们的研究旨在统一我们在视觉错觉、经验美学和一些检验方面的实验心理学工作。在第一组实验中，我们使用Jastrow错觉来考察错觉程度与审美判断之间的关系。结果是，随着刺激结构的改变，我们的知觉不是由每个特性决定的，而是由知觉的组织决定的。此外，我们不仅考察了静态条件下的知觉特性，还考察了图形随时间变化的动态条件下的知觉特性。结果，我们的知觉也使格式塔排处于运动状态，同样地，在静止状态下也是如此。在ad…中此外，我们认为它需要现象，并以格式塔心理学家相同的方式描述那些在静态和动态条件下解释知觉特性的现象。我们调查了多种色彩的协调性、图形与色彩之间的和谐关系以及排列类型和色彩方案之间的审美偏好。由于这些结果，不是简单的施工因素相加，而是有组织的因素决定了整个概算的组合。此外，我们还考察了认知因素、观察方式、技术教育和文化是否影响我们对颜色和亮度的知觉和审美偏好，并用定量数据分离了这些认知因素和倾向对知觉的影响。结果发现，视觉知觉中的审美估计不是从刺激的每种属性来判断的，而是从知觉现象本身来判断的。此外，我们认为，统一实验现象学和经验美学之间的讨论是有用的。较少

Experimental phenomenology has demonstrated that perception is much richer than visual stimulus. As is seen in visual perception, one and the same stimulus provides more than several modes of appearance or perceptual dimensions. Our study's had in view to unify our experimental psychology work on visual illusion, empirical aesthetics, and some examine. And we investigate how aesthetic preference is influenced by stimulus factors determining visual illusions.In the first series of experiments, we investigated relations between the degree of illusion and aesthetic judgments using "Jastrow illusion". As results, changing structure of stimuli, our perception was determined by not each peculiarity but also perceptual organization. Moreover, we investigated perceptual peculiarity in not only a stationary condition, but also kinetic condition that patterns were changing with passing time. As results, our perception kept Gestalt rows in kinetic condition too, similarly in stationary one. In ad … More dition, we argued that it needed phenomena and describing those in explanation of perceptual peculiarity in both stationary and kinetic condition in the same way as Gestalt psychologist. We investigated that harmony of multi-colors, harmonious relation between figures and colors, and aesthetic preference between types of arrangement and the color scheme. As these results, not simply additions of construction factors, but organized factors decided that entire estimates of combination. In addition, we investigated whether cognitive factors, patterns of observation, technical education and culture, affected our perception and aesthetic preference of color and lightness, and separated using quantitative data influence of these cognitive factors and predispositions to percept.From all results, we found out it that aesthetic estimates in visual perception were judged from not each property of stimuli but perceived phenomena themselves. Furthermore, we suggested that it was useful to unify the discussions between experimental phenomenology and empirical aesthetics. Less