Musical Ethnographies in the 21st century

21世纪的音乐民族志

• 批准号: 493839071
• 负责人: Professorin Dr. Barbara Alge
• 金额: --
• 依托单位: Institut für Musikwissenschaft
• 依托单位国家: 德国
• 项目类别: Publication Grants
• 财政年份: 2021
• 资助国家: 德国
• 起止时间: 2020-12-31 至 2022-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/493839071?language=en
• 关键词: Musical; Ethnographies; 21st; century

The volume "Musikethnographien im 21. Jahrhundert (Musical Ethnographies in the 21st century)" brings together ten articles by ethnomusicologists working in the German speaking world, that is, Germany, Austria and Switzerland. The volume is mainly intended to be used by students, who have with this volume an equivalent to the English volume "Shadows in the Field" edited by Gregory Barz and Timothey Cooley in 2008 [1st edition 1997] at hand. "Shadows in the Field" rates as mandatory reading in ethnomusicological seminars on methods and as a reference work for fieldwork and ethnography in ethnomusicology. Similar to the reedition of "Shadows in Field" from 2008, the volume "Musikethnographien im 21. Jahrhundert" focusses on the reflexive approach of ethnomusicological fieldwork. Thirteen years after "Shadows in the Field" the present volume discusses current paradigms of fieldwork such as multi-situated fieldwork, reflexivity, dialogicity, polyphony, feedback and collaborative research as well as questions of repatriation, ethical handling of research data, the roles of researchers and research partners. It also includes reflections on the temporality of ethnographic material collected through field research, the role of digital social media and auto-ethnography. A postcolonial perspective pervades nearly all articles. Some artciles of the volume highlight gender discourses, a feminist critique, consequences of the Black-Lives-Matter debate as well as the importance of activism and intervention through performance ethnography. Research fields serving for reflection are in this volume popular music (Kuduro, Schlager, World Music, Folk and Rap) as well as indigenous music cultures (Yoreme, Pemón), traditional music and dance from Madagaskar, Portugal, Brazil, São Tomé and Príncipe as well as Soundscapes Studies. The contributions are systematized according to theories in ethnography (part I), methodological considerations (part II) and the topic area "Ethnography, Memory, and the Past" (part III).

《Musikethnographien im 21. Jahrhundert》（21世纪的音乐民族志）一卷汇集了在德语世界（即德国、奥地利和瑞士）工作的民族音乐学家的十篇文章。该卷主要供学生使用，学生手头有 Gregory Barz 和 Timothy Cooley 于 2008 年编辑的英文卷《Shadows in the Field》（1997 年第 1 版）的同等版本。 《田野里的影子》被评为民族音乐学方法研讨会的必读读物，也是民族音乐学田野调查和民族志的参考书。与 2008 年重版的《Shadows in Field》类似，《Musikethnographien im 21. Jahrhundert》卷重点关注民族音乐学田野工作的反思方法。 《田野里的影子》出版十三年后，本书讨论了当前田野工作的范式，例如多情境田野工作、反思性、对话性、复调性、反馈和协作研究，以及遣返问题、研究数据的伦理处理、研究人员和研究伙伴的角色。它还包括对通过实地研究收集的民族志材料的时间性、数字社交媒体和自动民族志的作用的反思。后殖民视角几乎遍及所有文章。该卷的一些文章强调了性别话语、女权主义批评、“黑人生命也是命”辩论的后果，以及通过表演民族志进行激进主义和干预的重要性。本书反思的研究领域包括流行音乐（Kuduro、Schlager、世界音乐、民谣和说唱）以及本土音乐文化（Yoreme、Pemón）、马达加斯加、葡萄牙、巴西、圣多美和普林西比的传统音乐和舞蹈以及音景研究。这些贡献根据民族志理论（第一部分）、方法论考虑（第二部分）和主题领域“民族志、记忆和过去”（第三部分）进行系统化。