Gyp as 'agent provocateur' in an epoch of upheaval: an author between female liberalism and anti-Semitism (in the sign of an (anti-)modernity)

马特尔·德·扬维尔伯爵夫人（1849-1932）是约100部小说和30部戏剧的作者，也是小册子作家、政治评论员和漫画家，她的笔名是吉普，是巴黎美女Époque最受尊敬的作家和宣传家之一。在德雷福斯事件的“世纪丑闻”过程中，这位自认反犹的人成为了一名媒体制作的记者和反德雷福斯的发言人。该项目首次系统地审查了作者的多维作品，迄今为止尚未被研究人员注意到，关于她在世纪之交动荡的特殊情况下作为作家的意义，她不仅在文学领域而且在社会文化领域发挥了“密探”的核心作用。该研究以文化研究和比较文学为导向，重点关注她对新兴文学现代性的作用，特别是在壮观美学的标志下，在当代性别话语和身体概念的背景下，在中间方面，以及她作为文学和政治利益交汇处媒介化反犹太主义的中心代理人的关键作用。在德雷福斯事件中，“知识分子”的形象也被清晰地表达出来。在这个紧张的领域中，吉普的多模态作品被视为文学的结晶点，作为对时间的“批判”和“知识”的生产，反映了觉醒与颓废之间的特殊情况。

As the author of around 100 novels and 30 plays, as a pamphleteer, political commentator and caricaturist, Sybille-Gabrielle Marie-Antoinette de Riquetti de Mirabeau, Comtesse Martel de Janville (1849-1932) was, under the pseudonym Gyp, one of the most respected writers and publicists in Belle Époque Paris. In the course of the "scandal of the century" of the Dreyfus Affair, the self-confessed anti-Semite advanced to become a media-produced reporter and spokesperson for the anti-Dreyfusards. The project systematically examines for the first time the multi-dimensional oeuvre of the author, who has hitherto gone unnoticed by researchers, with regard to her significance as a writer in a special situation of upheaval at the turn of the century, who played a central role as an "agent provocateur" not only in the literary but also in the socio-cultural field. The study, which is oriented towards cultural studies and comparative literature, focuses on her function for an emerging literary modernity - especially under the sign of an aesthetic of the spectacular, in the context of contemporary gender discourses and concepts of the body and under intermedial aspects, and on her critical role as a central agent of a medially instrumentalized anti-Semitism at the intersection of literary and political interests, where also the figure of the "intellectual" was articulated in the course of the Dreyfus Affair. Within this field of tension, Gyp's multimodal work is seen as the crystallisation point of a literature that, as a "critique" of time and a production of "knowledge", reflects the particular situation between awakening and decadence.