"...et que mon livre porte à la foule future“Anna de Noailles – Belle Époque Author and Agent of Modernism

“……et que mon livre porte à la folle futureâAnna de Noailles â Belle âpoque 现代主义的作者和代理人

• 批准号: 434612659
• 负责人: Professorin Dr. Kirsten von Hagen
• 金额: --
• 依托单位: Institut für Romanistik
• 依托单位国家: 德国
• 项目类别: Research Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/434612659?language=en
• 关键词: ...et; que; mon; livre; porte

Famed during her lifetime as a successful writer, literary politician, as well as a patron of the arts and of fledgling authors, Anna de Noailles (1876-1933) was one of the most highly regarded literary figures of the Parisian Belle Époque. Given that the author of Greek and Romanian ancestry has until now garnered very little scholarly attention, this project represents a pioneering and systematic investigation of Anna de Noailles’ outstanding accomplishment as Belle Époque author, as well as her role as a key player in literary modernism. This project will seek to establish how Anna de Noailles carved out a prominent niche for herself as an author, critic and patron in a male-dominated literary field, and played a pivotal role in the evolution of literary modernism. Noailles’ importance in this regard can be attributed to both her ability to reframe - in an idiosyncratic fashion - philosophy, aesthetics, subject matter and motifs from a female perspective, as well as her vital contributions to the Parisian literary scene as a salonnière, critic and patron of fledgling authors. These factors in tandem with her social commitment helped secure Noailles’ place as a prominent mover and shaker in the Parisian literary scene during a period of major upheaval. This project will investigate, among other things, novels, prose pieces and auto-fictions that have largely escaped critical attention, in which Noailles’ idiosyncratic position figure prominently. Often cast as an exotic oriental on account of her origins – a role she would self-consciously orchestrate when it suited her purposes, as illustrated in numerous portraits of her by avant-garde artists of the period – this exoticism has nonetheless led literary critics to unjustly conflate Noailles’ identity and oeuvre with stereotypical notions of boundless sensuality, irrationality, moral laxity and threatening femininity. Against this backdrop, this project will illuminate Noailles‘ experience of exile as the daughter of immigrants from a cultural region often subject to the depredations of Orientalism, and how this heritage gives rise to conflicts of identity and legitimation in establishing Noailles’ status as a French writer.

安娜·德·诺阿耶（1876-1933）是巴黎贝儿时代最受推崇的文学人物之一，她一生以成功的作家、文学政治家、艺术赞助人和初出茅庐的作家而闻名。鉴于希腊和罗马尼亚血统的作者到目前为止获得了很少的学术关注，这个项目代表了对安娜德诺阿耶作为贝儿作家的杰出成就的开创性和系统性的调查，以及她作为文学现代主义的关键人物的作用。 这个项目将试图确定安娜德诺阿耶如何在男性主导的文学领域为自己开辟了一个突出的利基作为一个作家，批评家和赞助人，并在文学现代主义的演变中发挥了关键作用。诺阿耶在这方面的重要性可以归因于她以独特的方式从女性视角重新构建哲学，美学，主题和主题的能力，以及她作为沙龙，评论家和初出茅庐的作家的赞助人对巴黎文学界的重要贡献。这些因素与她的社会承诺一起帮助确保Noailles在巴黎文学界的地位，在一个重大动荡时期成为一个突出的推动者和震动者。这个项目将调查，除其他事项外，小说，散文作品和自传，在很大程度上逃避了批评的关注，其中诺阿耶的特殊地位的数字突出。由于她的出身，她经常被塑造成一个充满异国情调的东方人--当这个角色适合她的目的时，她会有意识地精心安排，这一点在那个时期的先锋艺术家为她创作的众多肖像中得到了说明--这种异国情调仍然导致文学评论家不公正地将诺阿耶的身份和作品与无限的肉欲、非理性、道德松弛和威胁女性气质的刻板观念混为一谈。在此背景下，本项目将阐明Noailles作为来自一个经常受到东方主义掠夺的文化地区的移民的女儿的流亡经历，以及这种遗产如何在确立Noailles作为法国作家的地位时引起身份和合法性的冲突。