Artistic Experience and Ethos of Today

从1991年到1992年，我们研究了一个最受关注的问题，即审美或艺术体验在当代主题中的意义和意义，这本质上涉及传统问题（审美价值、想象、创造、兴趣、社会或教育功能等），但却要求我们在后现代时代进行彻底的重新思考。该项目的成员尝试了多维方法：从历史解释的角度，哲学地考察所谓解构主义的最基本动机，哲学地把艺术作为人类的各种意义的现象还原到它的本源，哲学地重新建构所谓艺术作品的新本体论，反思知性本身与艺术作品的传统关系，等等。这些都不容易系统地排序，因为不同的艺术现象源于不同的历史必然性。因此，我们今天需要多维的、多元文化的伦理学，以保持与学术正确的张力的、政治中心的相对性，而距离的悲怆、自由的悲怆和方法论的严谨性是必不可少的。

From 1991 to 1992 we have investigated one of the most issued problem, i.e.the meaning and the significance of the aesthetic or artistic experience in the topos of <to-day>, which is essentially concerned with the traditional problems (aesthetic value, imagination, creation, interest, social or educational function etc.) and however demands the radical reconsideration of us in the postmodern times.The Members of this project have tried multidimensional approaches : philosophical examination of the most fundamental motives of the socalled deconstruction-theory from the point of view of historical (geschichtlich) explication, philosophical reduction of the art as phenomena of various meaning of the humanity to its origin, philosophical reconstruction of the new ontology of the socalled art-work with the reflecion of the understanding itself in the braditional relations with art-work, etc.Indeed there are so many padigms concerning to the artphenomena, which are not so easy to be systematically ordered, because the various art-phenomena result from various historical necessities.Therefore we need nowadays multidimensional and multicultural ethike, in order to hold on the tensional and policentric relativity with academic correctness, for which the Pathos of distance, freedom and methodological strictness are essentially indispensable.