Music about music – self-parodies in the early modern mass

关于音乐的音乐——早期现代大众的自我模仿

• 批准号: 524868931
• 负责人: Professorin Dr. Christiane Wiesenfeldt
• 金额: --
• 依托单位: Musikwissenschaftliches Seminar
• 依托单位国家: 德国
• 项目类别: Research Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/524868931?language=en
• 关键词: Music; about; music; self; parodies

The project is devoted to the hitherto unexplored phenomenon of composing polyphonic masses on one’s own models – a phenomenon first observed in the early 15th century, with increasing popularity in the 16th century. For this purpose, a corpus of about 130 mass compositions will be questioned about its techniques and concepts of translating own music into new, own music. Using the example of self-parody, the aim of the project is both to appraise translational approaches for musicological Renaissance research and to highlight the historical period from c. 1420 to 1600 as a significant era of changes in composing polyphonic masses. If these techniques of self-borrowing are understood as part of a cultural, discursive environment, the complex formation of the composer’s identity, which developed in the 15th and 16th century, can be discussed and deciphered from their objects, and thus in turn become interdisciplinary. In cooperation with the project Citations: The Renaissance Imitation Mass Project (CRIM), tools of computer-aided analysis will be used, which are ideally suited for the examination of intertextual references. The data obtained will also be entered into the Mainz MassDataBase (MDB) as part of a cooperative project.

该项目致力于迄今为止未被探索的在自己的模型上创作复调大众的现象-这种现象在15世纪早期首次被观察到，在16世纪越来越流行。为此目的，将对大约130首大众作品的语料库进行质疑，以了解其将自己的音乐转化为新的，自己的音乐的技术和概念。以自我模仿为例，该项目的目的是评估文艺复兴时期音乐学研究的翻译方法，并强调从公元1420年到1600年的历史时期是创作复调大众的重要变革时代。如果这些自我借用的技巧被理解为文化、话语环境的一部分，那么在15世纪和16世纪发展起来的作曲家身份的复杂形成可以从他们的对象中进行讨论和破译，从而反过来成为跨学科的。与项目合作引文：文艺复兴模仿大规模项目（CRIM），将使用计算机辅助分析工具，这是非常适合检查互文参考的工具。所获得的数据也将作为合作项目的一部分输入美因茨MassDataBase （MDB）。