Collaborative Composing in the Early Modern Period

近代早期的合作作曲

• 批准号: 508410799
• 负责人: Professorin Dr. Christiane Wiesenfeldt
• 金额: --
• 依托单位: Musikwissenschaftliches Seminar
• 依托单位国家: 德国
• 项目类别: Research Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/508410799?language=en
• 关键词: Collaborative; Composing; Early; Modern; Period

The aim of the project is to systematically illuminate the phenomenon of collaborative composing from the late 15th to the early 17th century in various case studies. The focus is on works and groups of works that were created by more than one actor. The question is 1. which different motivations can lie behind the practice of involving several actors in the composition process and sharing the process of composing with each other, 2. which conditions must be given for this to happen, and 3. in which models collaborative composing takes place. The sources considered in the case studies do not exclusively comprise "complete works" or "personal sources", i.e. collections tailored to the repertoire (and performances) of individual composers, but also hitherto often neglected, fragmentary source types and working sources, which in many respects provide a view of production-aesthetic processes for the first time. The aim is to broaden the perspective on early modern compositional processes, but also on established categories such as work and author.

该项目的目的是通过各种案例研究系统地阐明 15 世纪末至 17 世纪初的协作作曲现象。重点是由多个演员创作的作品和作品组。问题是 1. 让多个参与者参与作曲过程并相互分享作曲过程的做法背后可能存在哪些不同的动机，2. 必须给出哪些条件才能实现这一点，以及 3. 协作作曲在哪些模式中发生。案例研究中考虑的来源不仅包括“完整作品”或“个人来源”，即针对个别作曲家的曲目（和表演）量身定制的集合，而且还包括迄今为止经常被忽视的碎片来源类型和工作来源，它们在许多方面首次提供了生产美学过程的观点。目的是拓宽对早期现代作曲过程的视角，同时也拓宽对作品和作者等既定类别的视角。