Cristóbal de Morales and the early modern Magnificat

克里斯托瓦尔·德·莫拉莱斯和早期现代的圣母颂

• 批准号: 283398871
• 负责人: Professorin Dr. Christiane Wiesenfeldt
• 金额: --
• 依托单位: Musikwissenschaftliches Seminar
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2015
• 资助国家: 德国
• 起止时间: 2014-12-31 至 2017-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/283398871?language=en
• 关键词: Crist; bal; de; Morales; early

The aim of the given project is to depict the history of the early modern Magnificat depending on Cristóbal de Morales Magnificat cycle, with 14 editions the by far most wide-spread setting of the Canticum in 16th century Europe. The study follows the guiding assumption that the reason for the enormous international popularity of his cycle lies within the composition itself and that the archetypal character ascribed to the cycle in many contemporary documents was the result of a merging of various compositional models Morales drew from the extensive Magnificat repertoire he had access to in Seville and Rome. In a first step Morales Magnificat will be analyzed regarding their relation to 15th and early 16th century Magnificat traditions preserved in Spanish and Roman sources. Second it will be examined to what extend Morales cycle served as an archetype for succeeding Magnificat composers. As late 16th century Italian and Spanish theory treatises frequently refer to Magnificat of Morales, criteria for analysis can be obtained, that will be applied to trace the compositional reception of his Cantica in the second half of the 16th century. According to a reception topography drawn from the dissemination of his prints Spanish, Italo-Roman and German Magnificat will be analyzed in regard of their dependence on Morales as a model. By doing so the history of the early modern Magnificat can not only be depicted on the basis of a vast and yet empirically evident genealogy of compositional borrowing, the role of Morales as a historical key figure between Josquin and Palestrina can also be highlighted as can the long neglected eminence of Spanish composers in early European music history.

给定项目的目的是描绘早期现代Magnificat的历史，取决于Cristóbal de Morales Magnificat周期，14个版本是迄今为止世纪欧洲最广泛的Canticum设置。这项研究遵循的指导假设，他的周期的巨大的国际知名度的原因在于组成本身，并在许多当代文件中归因于周期的原型字符是合并的结果，莫拉莱斯从广泛的宏伟剧目，他在塞维利亚和罗马访问了各种组成模型。在第一步莫拉莱斯Magnificat将分析他们的关系，15日和16日早期世纪Magnificat传统保存在西班牙和罗马的来源。其次，它将审查到什么程度莫拉莱斯周期作为一个原型，为成功的宏伟作曲家。由于16世纪晚期意大利和西班牙的理论论文经常提到莫拉莱斯的《壮丽》，因此可以获得分析标准，这将用于追踪他的《康提卡》在16世纪下半叶的作曲接受情况。根据从他的版画西班牙，意大利罗马和德国的Magnificat传播绘制的接收地形将分析他们对莫拉莱斯作为一个模型的依赖。通过这样做，现代早期的Magnificat的历史不仅可以在一个庞大的，但经验明显的作曲借用家谱的基础上进行描述，莫拉莱斯作为Josquin和帕莱斯特里纳之间的历史关键人物的作用也可以突出，因为西班牙作曲家在早期欧洲音乐史上长期被忽视的隆起地位。