Work - Change - Identity: The Mozart- and Beethoven-Variations by Max Reger as Musical Ego-Documents

工作-改变-身份：马克斯·雷格的莫扎特和贝多芬变奏曲作为音乐自我文件

• 批准号: 269968085
• 负责人: Professorin Dr. Christiane Wiesenfeldt
• 金额: --
• 依托单位: Musikwissenschaftliches Seminar
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2015
• 资助国家: 德国
• 起止时间: 2014-12-31 至 2018-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/269968085?language=en
• 关键词: Work; Change; Identity; Mozart; Beethoven

Max Reger's successful and important Beethoven-Variations op. 86 and Mozart-Variations op. 132 were identity-generating works, which the composer later reworked for orchestra (in case of op. 86) and piano (in case of op. 132). For him, these adaptations were of equal value as the "originals" - a perspective, which in its time around 1900 with a disappearing emphatic concept of work, provokes further investigation. With an intense genetic textual analysis of the sources - sketches, working manuscripts, proofs, etc. - the reworking process should become visible in a first step of the project. In a second step the results should be reflected in context of the ego-documentary research. The key question in this analysis is to locate those moments in the musical material that disclose its creator and can be read as personal testimony or as self-revelatory, the moments where music opens its self-reflective coherence to the outside and grants us a deeper view. To be consistent, assuming that the work of art is a coherent system, one would have to seek objective instances - those moments in which fractures, breaks, assembly-points, or projective surfaces in the aesthetic subject itself (are made) visible. If one accomplishes this aim, these moments can then be read as symbols of subjective shapes and forms. Additionally, the project wants to revise the view on Reger as a fragile, foreign-determined artistic personality.

马克斯·雷格 (Max Reger) 成功且重要的贝多芬变奏曲作品。 86 和莫扎特变奏曲 op。 132 首作品是产生身份的作品，作曲家后来将其重新创作为管弦乐队（作品 86）和钢琴作品（作品 132）。对他来说，这些改编作品与“原作”具有同等价值——这种观点在 1900 年左右的时代，随着工作的强调概念逐渐消失，引发了进一步的研究。通过对草图、工作手稿、校样等来源进行深入的基因文本分析，返工过程应该在项目的第一步中变得可见。第二步，结果应该反映在自我纪录片研究的背景下。这项分析的关键问题是在音乐材料中找到那些揭示其创造者的时刻，这些时刻可以被解读为个人证言或自我启示，在这些时刻，音乐向外界开放其自我反思的连贯性，并给予我们更深入的看法。为了保持一致，假设艺术作品是一个连贯的系统，人们就必须寻找客观实例——那些使审美主体本身的断裂、破裂、集合点或投影表面可见的时刻。如果一个人实现了这一目标，那么这些时刻就可以被解读为主观形状和形式的象征。此外，该项目希望改变人们对雷格尔的看法，将其视为脆弱的、由外国决定的艺术个性。