Iconographical Study about the Modern Painting in Europe by way of the Photographic Documents

关于艺术史图像学研究的传统体系，我可以从比较方法和主体解读两个方面来介绍。另一方面,我可以写实际的主页在互联网上有用的艺术史研究在欧洲和美国,对于为例,Joconde, MNR, Imagebase在旧金山博物馆,etc.Using这些摄影文件和方法,我能发表几篇文章,对待生活的卡通绘画的圣弗朗西斯泽维尔琴Le Clerc以及目录肖像的圣人在17世纪的开始。我也能找到圣奥古斯丁所代表的“燃烧的心”的含义。关于尼古拉斯·普桑（Nicolas Poussin）的《仙人大师》（Master of the Faleries>>，卢浮宫）的肖像学，我可以解释其构图和肖像学的过程。

About the traditional system for the iconographical study in the History of Art, I could introduce the system from the points of the method of comparison and the interpertation of the subject. On the other hand, I could write about the actual homepages useful on Internet for the study of art history in Europe and in the United States, for exemple, Joconde, MNR,Imagebase in San Francisco Museum, etc.Using these photographic documents and the methods, I could publish several articles, treating the iconographies of the life of Saint Francis Xavier in the painting of Jean Le Clerc, as well as the catalog of the portraits of the saint in the beginning of the 17th century. I could also find the meaning of the <flaming heart> represented with Saint Augustin. About the iconography of Nicolas Poussin's <<Master of the Faleries>> (Louvre), Icould explain the process of the composition and its iconography.