MEDIA AND ART

本研究分以下三个研究框架进行：一、参考本研究收集的文献，对20世纪媒体与艺术的关系史进行了研究。在我们研究大众传媒与美术之间的关系的同时，我们也研究了艺术媒介的技术演变过程。这些研究包括三个主题。第一个主题是1920年代印刷摄影和电影时代的前卫艺术和现代设计运动。第二个是电视时代的波普艺术和激浪派。最后是从20世纪70年代至今马耳他媒体时代的后现代艺术运动。 2、主要从后结构主义之后的美学和艺术理论的角度来审视传统符号学、信息论和结构主义的可能性和局限性。 3、从艺术技术的角度来研究计算机与艺术关系的历史，尤其是后结构主义之后的界面技术。 20 世纪 60 年代。 20世纪80年代。我们关注艺术活动的个性和庞大技术的差异性，并试图批判性地审视这些问题。

This research was done in the three frames of studies as follows.1, We studied on the history of relations between media and arts in the 20th - century, making reference to the documents that had been collected for this research. While we investigated the relations between mass - media and fine art , we examined the process of technical evolution in art mediums. The studies consist of the three themes. The first theme is the movement of Avant - Gard arts and modern design in the age of printed - photgraphy and film in 1920s. The second is the Pop art and the Fluxus in the age of television. And the last is the postmodern movements of arts from 1970s to today in the age of malti - media.2, Mainly from the point of the aesthetics and the theory of the arts after the post - structualism, we tried to examine possibilities and limits of the traditional semiotics, information - theorie , and structuralism.3, From the point of the art - technology we tried to study the history of the relation between computer and art, especially in connection with interface technology after the 1960's. the 1980's. We paid attention to the individuality of artistic activity and the otherness of enormous technology and tried to examine these problem critically.