John Milton's Poetics of the Sacred

在对约翰·弥尔顿的神圣诗学的分析中，本研究分为三个阶段：第一个阶段建立了一些基本的语境，通过这些语境可以理解神圣和他者之间的关系；第二个阶段考察了这种关系的精神分析维度；第三个阶段探讨了弥尔顿作品中神圣的表征的基本方面。第一阶段根据他者的概念来处理神圣和亵渎之间的关系。第二阶段使用拉卡尼亚和阿尔都塞的主体理论，重点研究与“他者”有关的神圣亵渎的心理学。第三阶段主要研究《失乐园》，但也包括对散文作品的分析。尤其是通过对《基督教义》的考察，本研究明确了儿子对父亲的恋母情结是理解弥尔顿基督教的核心。虽然关于弥尔顿关于三位一体的观点是否应该被称为异端或正统，有很多讨论，但几乎每个党派都承认，根据弥尔顿的基督论，儿子在某种意义上是从属于父亲的。这种恋母情结在他的作品中是不可否认的，但却是他艺术的生成中心。

In its analysis of John Milton's poetics of the sacred, this study is divide into three phases : the first establishes some basic contexts by which the relationship between the sacred and the other may be understood ; the second investigates psychoanalyticl dimensions of the relationship ; and the third explores fundamental aspects of the representation of the sacred in Milton's works. The first phase treats the relationship between the sacred and the profane in terms of the concept ot the otherness. The second phase focuses upon the psychology of the sacred-profane in connection with "the other"using the Lacanian and Althusserian theory of the subject. The third phase principally treats with Paradise Lost, but includes the analysis of prose works. Especially through the investigation of De Doctrina Christiana, this study made it clear that oedipal submission of the Son to the Father is central for understanding Miltonic Christianity. Although there has been much discussion concerning whether Milton's view on the Trinity should be termed as heretical or orthodox, almost every party admits that according to Milton's Christology the Son is subordinate to the Father in some sense. This oedipal subordination in his works cannot be denied but is the generative center of his art.