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A Comparative Study of the Relationship between Literature and Pictures in China, Korea, and Japan

中、韩、日文学与图像关系比较研究

基本信息

批准号：
09610446
负责人：
HAYASHI Masahiko
金额：
$ 1.86万
依托单位：
MEIJI UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1997
资助国家：
日本
起止时间：
1997 至 1998
项目状态：
已结题

项目摘要

From point of view of iconology Prof. Hayashi, Hikita, Higo, and Associate Prof.Watari tudied Buddhist narrative literature. Similarly Prof. Tokuda and Lecturer Ikezawa studied Confucian narrative literature, and analyzed the literary paintings (Chinese style landscape paintings)Prof. Hayashi and Associate Prof. Watari visited Dazu, Chongging in China, and surveyed several famous stone caves as Bao ding shan, Bei shan, etc.. They both attended a lecture by Mr. Guo Xiang Ying of the curator of the Dazu Caved Stone Museum. That led Prof.Hayashi to write a paper on Goshushoshirir (a five-cornered Buddhist picture in a circle showing the zther five worlds). Prof. Hinata investigated the development of Nigabyakudo (one of the patterns of Jodoism paintings) and compared the Shamanism of Japan with that of Korea as he exchanging views on Jodoism among Korean scholars and Chinise scholars. He investigated how the narrative of Tenningosui (the five symptoms of aging for heavenly beeings) influenced on The Tale of Genji.Associate Prof. Watari pointed it out that Sainokawara (the Children's Limbo) shows the paticular thought of the other world among the Japanese people, and heProf. Tokuda considered Nijyushiko (twenty-four stories of filial duty) from the point of view of the comparative literature and analyzed that from both Japanese and Chinese angles. He also studied those illustrations.Lecturer Ikezawa visited Yang zhou in China, where those literary painters who were called Yang zhou Ba quai used to live, and he collected materials of the literary paintings for study. He studied Chinese poetry, the literary paintings and the spirit of the literary artists, and he brought the tripartite relation among them into sharp relief.

林、彦田、日吾、瓦塔里副教授从图像学的角度研究佛教叙事文学。同样，德田教授和池泽讲师研究了儒家叙事文学，并分析了文学绘画（中国风格的风景画）林教授和瓦塔里副教授访问了中国大足，重庆，并调查了几个著名的石窟宝顶山，北山等。两人一起参加了大足石刻博物馆馆长郭向英先生的讲座。这使得林教授写了一篇关于Goshoshoshirir（一个五角佛教图片在一个圆圈显示zther五个世界）的论文。羽田教授在韩国学者和中国学者之间就日本教交换意见的同时，对日本和韩国的萨满教进行了比较，并对日本和韩国的萨满教的发展进行了调查。瓦塔里副教授指出，“儿童的地狱”（Sainokawara）表现了日本人对另一个世界的特殊想法，他认为，“地狱”是一个非常特殊的世界，在这个世界里，人们对“地狱”有着非常深刻的理解。德田从比较文学的角度对《二十四孝》进行了研究，并从日本和中国两个角度进行了分析。池泽讲师访问了中国的扬州，那里曾经是被称为扬州八魁的文人画家居住的地方，他收集了文学绘画的材料进行研究。他研究中国诗歌、文学绘画和文学家精神，突出了三者之间的关系。