From Commedia dell'Arte to Drame Bourgeois - Theater as a Mirror of Venetian Society in the 18^<th> Century -

本研究旨在阅读或找出卡洛·戈尔多尼（Carlo Goldoni）于1761年写的“乡村别墅”三部曲（villleggiatura），反映了同一时期威尼斯共和国的政治冲突。这场政治斗争在由年轻贵族安吉洛·克里尼领导的改革派“克里尼派”和由其在国家宗教裁判所最高法庭的政治基础称为“论坛派”的保守派之间爆发。在这样的政治背景下，戈尔多尼三部曲的普通观众，他们中的大多数人都因为贵族的垄断而被排除在威尼斯政治之外，一定会把大胆的年轻女士贾辛塔的角色看作是激进改革派的象征，也一定会把老威尼斯商人富尔根齐奥的角色看作是光荣传统和常识的保守捍卫者的代表。总而言之，当时的威尼斯人似乎很有可能把三部曲作为当时的主题戏剧来欣赏。

This research aims at reading or finding out, within the Trilogy of "Villeggiatura" (Country Villa) written by Carlo Goldoni in 1761, a reflection of the political strife progressing at the same time in the Venetian Republic. This political struggle has broken out between the reformist group, the "Querinisti" guided by a young nobleman called Angelo Querini, and the conservatives called "Tribunisti" by their political base in the Supreme Tribunal of the Inquisitors of State. In this political background, the ordinary spectators of Goldoni's Trilogy, most of them excluded from the Venetian Politic for its monopolization by the nobles, must have idenfified the part of young bold lady Giacinta as a symbol of radical reformists, and must have recognized in the part of old Venetian merchant Fulgenzio a delegate of conservative defenders of Glorious Tradition and Common Sense. In a ward, it seems very probable that the contemporary Venetian people enjoyed the Trilogy as a drama on the topic of the day.