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Systematization of the Development of Japanese Painting Technique

日本画技法发展的系统化

基本信息

批准号：
08451013
负责人：
SASAKI Johei
金额：
$ 4.1万
依托单位：
KYOTO UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
1996
资助国家：
日本
起止时间：
1996 至 1998
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-08451013/
关键词：
Japanese painting painting technique influence tree of systematization sense of beauty thought of painting genealogy of master and pupils regional culture 思想画法流派中国画絵画表現技法作風画論構図構成

项目摘要

When we think about the way of depiction of the brushwork in Japanese painting, there are two main descents. One is that which was influenced by Chinese and Europe, and the other is that which developed indigenously in Japan.These two descents had been giving influence to each other, sometimes giving birth to an incorporated new style, and sometimes developing with the repulsiona a more characteristic way of depiction.In pursuing this subject concretely, the following nine factors were recognized to be basic in the process of the birth and development of the new painting method.(1) Development and decay by the change of the demand(2) Development of the painting material (tools and pigments)(3) Absorption of the new painting technique(4) Expansion of information and knowledge(5) Change of the sense of Beauty(6) Influence of thought(7) Personal will of the painters pursuing the aesthetic completion(8) Problem of genealogy of master and pupils(9) Relationship with regional cultureConcerni … More ng the assortment of the painting methods among the schools, I asked Masako Sasaki who was the specialist of the analysis of the painting method. And in the course of of this work, the problem of nomination occurred.One painting method often changes one after another and is reborn to a new method. And in this case, it is difficult to determine the naming for the middle position of the change. On the contrary, this phenomenon is also the reflection of the fact that painting method had been living in the days and adapting itself to the sense of beauty of the days.In course of this study, I fixed the painting method which can be clearly recognized as a standard, and pushing the research forward closely one after the other, I tried to put the results into shape with every turning points of the development. It will take some more years to grasp the whole figure and complete the systematization of the development of the painting method. In order to get the more accurate result, I would like to continue this study and investigation. Less

当我们思考日本绘画中笔法的描绘方式时，主要有两个流派。一种是受中国和欧洲影响的，另一种是日本本土发展起来的。这两个后裔相互影响，有时产生一种融合的新风格，有时又在排斥中发展出一种更具特色的描绘方式。在具体追求这一主题时，新画法的产生和发展有九个基本因素：(1)需求变化的发展与衰落(2)绘画材料(工具和颜料)的发展(3)新绘画技术的吸收(4)信息和知识的扩展(5)美感的变化(6)思想的影响(7)追求审美完成的画家的个人意志(8)师徒家谱问题(9)与地域文化的关系Concerni…在绘画方法的流派中，我问了佐佐木雅子，他是绘画方法分析的专家。在这项工作的过程中，出现了命名问题，一种绘画方法往往会一个接一个地发生变化，并重生为一种新的方法。在这种情况下，很难确定更改的中间位置的命名。相反，这种现象也反映了绘画方法一直生活在时代，适应时代的美感。在这次研究过程中，我确定了可以明确识别的绘画方法作为标准，并将研究紧锣密鼓地推进，试图随着发展的每一个转折点而形成结果。要把握整个人物，完成画法发展的体系化，还需要几年的时间。为了得到更准确的结果，我想继续进行这项研究和调查。较少