On a function of studio・art・market・collection
On a function of studio・art・market・collection
批准号:
08610050
负责人:
OZAKI Akihiro
金额:
$1.15万
依托单位:
依托单位国家:
日本
项目类别:
Grant-in-Aid for Scientific Research (C)
财政年份:
1996
资助国家:
日本
项目状态:
已结题
起止时间:
1996 至 1997
中文摘要
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英文摘要
Painters of Netherlands had a studio more or less and made production of paintings and Education of pupils. The ambitious studio, which is the most important inside, is a that of Rubens. An ideal method of the studio gave big influence to Rembrandt. He lived with Antwerp after return home from ltaly and established a large-scaled studio there. He declined a count painter of Albert grand duke and princess Isabera which were those days, a ruler of Flanders, and he was peculiar in the point that was able to be active from control of painter association of a town freely, compared with another studios manager to it. As a result I released it from the agony of the thing which turned authority of the Imperial Court into a back, Rubens avoided limitation of sale of painter's association and he acquired a right to sell them. There was not an example by this, and the technique of picture productions of Rubens was unique. In other words, even if he was a work finished by one oneself or did not receive a difference in the selling price only by a design. Rubens was able to take a way that many works were judged by a high price by doing it in this way. Rembrandt receive influence from sale strategy of such Rubens, and it is Rembrandt that burnt a hot spirit of rivalry. He acquired an advatage of picturing market strategy in a way of a studio of this Rubens that is a name of a painter as a kind of brand name. It is possible for Rembrandt to have been the greatest understanding person of Rubens in this. sense.
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尾崎彰宏: "カ-レル・ファン・マンデル『絵画の書』(1604)(三)(史料翻訳)" 文化紀要. 44号. 25-48 (1996)
Akihiro Ozaki:“卡雷尔·范·曼德尔的《绘画之书》(1604) (3)(历史翻译)”《文化公报》第 44 期。25-48 (1996)
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尾崎彰宏: "レンブラントの《貝殻》(B.159)をめぐる一視点" 日蘭学会会誌. 20・2号. 1-20 (1996)
Akihiro Ozaki:“伦勃朗贝壳的一个视角(B.159)”日本荷兰学会杂志 20,第 2 期。1-20(1996 年)。
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尾崎彰宏: "レンブラントの《貝殻》(B.159)をめぐる-視点" 日蘭学会会誌. 20巻2号. 1-20 (1996)
Akihiro Ozaki:“伦勃朗的贝壳透视 (B.159)” 日本荷兰学会杂志,第 20 卷,第 2. 1-20 期 (1996)。
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尾崎彰宏: "カ-レル・ファン・マンデル『絵画の書』(1604)(四)(史料翻訳)" 文化紀要. 45号. 1-27 (1997)
Akihiro Ozaki:“卡雷尔·范·曼德尔的《绘画之书》(1604) (4)(历史翻译)”《文化公报》第 45 期。1-27 (1997)
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尾崎 彰宏: "レンブラントの≪貝殻≫(B.159)をめぐる一視点-東洋へのまなざし-" 日蘭学会会誌. 20. 1-20 (1996)
Akihiro Ozaki:“伦勃朗的贝壳的一个视角(B.159)——凝视东方”日荷学会杂志 20. 1-20 (1996)。
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共 6 条
Comparative studies of the artistic theory on formations and influences of Karel van Mander's Netherlandisch "Lives" in Schilder-Boeck
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批准号:21320026
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项目类别:Grant-in-Aid for Scientific Research (B)
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资助金额:$9.4万
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财政年份:2009
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负责人:OZAKI Akihiro
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依托单位:
Rembrandt and the female figure in seventeenth century Dutch Art
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批准号:17520076
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项目类别:Grant-in-Aid for Scientific Research (C)
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资助金额:$2.42万
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财政年份:2005
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负责人:OZAKI Akihiro
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依托单位:
Rembrandt and the study on the collections in the 17the century in Netherlands
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批准号:15520077
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项目类别:Grant-in-Aid for Scientific Research (C)
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资助金额:$1.47万
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财政年份:2003
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负责人:OZAKI Akihiro
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依托单位:
海外基金