A Study of Theoretical Analogy between American Modernist Writers and Their Contemporary Painters

美国现代主义作家与其当代画家的理论类比研究

• 批准号: 08610483
• 负责人: HAYASE Hironori
• 金额: $ 1.47万
• 依托单位: Saga University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1996
• 资助国家: 日本
• 起止时间: 1996 至 1998
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-08610483/
• 关键词: American literature; Pictorial; painting; Cubism; Faulkner; Modernism; ヘミングウェイ; 視点; 近代化; キュービズム; 語りの手法; フォークナ-; 文学と絵画; スタイン

Each of the American modernist writers makes every effort to create his or her own forms and style against the traditional principles of novels and poetry. My research has shown that their narrative technique against the traditional canons of narration bears the theoretical analogy with that of the European modern painters, who devise many innovative artistic techniques by relinquishing the conventional law of perspective in order to create three-dimensional images in canvas. Modernist writers seek to approach truth by the same technique as the painters do to perceive the object as it is -- above all, multiple perspectives and collage. Believing that truth cannot be described from only one angle, they segment their subject into pieces and re-arrange the segmented episodes beyond the time-space barriers so that truth can be eventually revealed in the most effective way. The writers and the painters are in the same position in approaching truth, abandoning the conventional rules of representation.My three-year research has clarified the theoretical and conceptual analogy in technique between American modernist writers and their contemporary painters. This result is published in a book form entitled The_Pictorial_in_American_Literature (Keisui-sha, 2000), finaced by the2000 Grand-In Aid for Publication.

每位美国现代主义作家都竭尽全力与传统的小说和诗歌原则建立自己的形式和风格。我的研究表明，他们反对传统叙事规范的叙事技术与欧洲现代画家的叙述相比，他们通过放弃传统的观点定律来制定许多创新的艺术技术，以便在Canvas中创建三维图像，从而设计了许多创新的艺术技术。现代主义的作家试图通过与画家相同的技术来了解真理，以感知物体的原样 - 最重要的是多种观点和拼贴。他们认为不能仅从一个角度描述真理，因此他们将其主题分为零件，并将分段情节重新排列到时间空间障碍之外，以最终以最有效的方式揭示真理。作家和画家在接近真理，放弃了传统的代表规则方面处于相同的位置。我的三年研究阐明了美国现代主义作家与当代画家之间技术的理论和概念类比。该结果以标题为“ the_pictorial_in_american_literatoration”（Keisui-sha，2000）的书籍形式出版，并受到2000年盛大援助出版物的限制。

项目成果

光富省吾・早瀬博範: "A Concndance to E.Hemingway's"Now I Lay Me" :(I)" Fukuoka University Review of Literature & Humanities. 108. 255-288 (1996)

Shogo Mitsutomi 和 Hironori Hayase：“对 E.Hemingway 的“Now I Lay Me”的认可：(I)”福冈大学文学与人文评论 108. 255-288 (1996)。

Hironori Hayase & Mitsutomi Shogo: "A Concordance to ErnestHemingway's 'A Way You'll Never Be' (I)"Fukuoka University Review of Literature and Humanities. 111. 2155-2200 (1997)

早濑弘典

Hironori Hayase & Mitsutomi Shogo: "A Concordance to Ernest Hemingway's 'A Way You'll Never Be' (II)"Fukuoka University Review of Literature and Humanities. 112. 327-366 (1997)

早濑弘典

光當省吾・早瀬博範: "A Word Freguency List of Hemingway's "Che Ti Dicele Patricia""Fukuoka University Review of Literature & Humanities. 117. 1229-1244 (1998)

Shogo Mitsutou 和 Hironori Hayase：“海明威《Che Ti Dicele Patricia》的词频表”《福冈大学文学与人文评论》117. 1229-1244 (1998)。

Shogo Mitsutomi & Hironori Hayase: "A Concordance to Ernest Hemingway's 'Father s and Sons' (II)"Fukuoka University Review of Literature and Humanities. 121. 1435-1473

光富省吾