The Forming of "A Sacred Place" Yama to : Modern Emperor System and Culture

“圣地”阎罗的形成：近代皇帝制度与文化

• 批准号: 10610315
• 负责人: TAKAGI Hiroshi
• 金额: $ 1.92万
• 依托单位: KYOTO UNIVERSITY
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1998
• 资助国家: 日本
• 起止时间: 1998 至 1999
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-10610315/
• 关键词: cultural properties; Japanese ant history; Shosoin; Emperor Jinmu; Imperial Museum; Yamato a sacred place; the emperor system; cultural history; 文化財保護; 橿原神宮; 神武天皇陵; 帝*博物館; 畝傍山; 「聖地」大和; 美術史; 陵墓; 史蹟; 名勝; 皇室

In this study, I approached the transition of Nara from the end of the Edo era to 1940, analyzing the process of forming Yamato into a sacred place from two points of view, the forming of historical and mythological ancient times. In a sense, it is a reconstructionism of ancient times as a political culture.As a reconstruction of mythological ancient times, I cleared a rise of an idea in the Meiji Restoration that Jinmu is a founder of Japan, construction of Jinmu's tomb in the end of the Edo era, foundation of Kashihara shrine dedicated to the emperor Jinmu, and requisition of Mt. Unebi to the imperial household. After the Chinese-Japanese War, sanctuarizing of the whole foot of Mt. Unebi started. Its sanctuarization was completed in 1940. In this period, fiction of Kiki myth was gradually visualized.A reconstruction of historical ancient times was realized with rebuilding of old temples like Holyuji or Kofukuji which Ernest Francisco Fernollosa and Tenshin Okakura helped to rebuild in 1880's, forming of three mountains in Yamato and royal treasure of Shosoin as property of the royal family, the start of Imperial Nara Museum in 1889, repairing and preservation of scenic spots like Mt. Yoshino or Nara Park and historical sights like Heijokyo or old tombs. Systematic research about a cultural asset became the foundation work to complete the Japanese art history as a system and was linked to Tenshin Okamura's work "Japanese Art history" which was written for the first time in Japan. In this, ancient art in Nara is positioned as the contrast to classical ancient times in Greek. Later, national common knowledge about ancient culture was set through culturalism like "A Pilgrimage to Ancient Temples" of Teturo Watuji after Taisho era, sightseeing, and school education. It gradually penetrated society.

在这个研究中，我接近了奈良从江户时代末期到1940年的过渡，从历史和神话古代的形成两个角度来分析大和成为圣地的过程。从某种意义上说，它是一种古代政治文化的重建主义。作为对古代神话时代的再现，我澄清了明治维新时期出现的“真武是日本的奠基人”的观念、江户时代末期建造的真武墓、建立供奉真武天皇的石原神社、将云前山征用给皇室的情况。甲午战争后，开始了对云壁山脚的全山保护。它的保护区于1940年完成。在这一时期，琪琪神话小说逐渐形象化。在1880年代重建了由Ernest Francisco Fernollosa和Tenshin Okakura帮助重建的Holyuji和Kofukuji等古老寺庙，形成了大和的三座山和作为皇室财产的Shosoin皇家宝藏，1889年建立了奈良帝国博物馆，修复和保存了吉野山或奈良公园等景点以及平州桥或老坟墓等历史景点。对一项文化资产进行系统的研究成为完成日本美术史作为一个系统的基础工作，并与冈村天信在日本首次撰写的《日本美术史》联系在一起。在这一点上，奈良的古代艺术被定位为与希腊古典古代的对比。后来，通过大正之后的铁陀罗和司的《古庙之旅》等文化主义、观光、学校教育等方式，形成了关于古文化的国民常识。它逐渐渗透到社会。

项目成果

TAKAGI Hiroshi: "Cherry blossom and Nationalism"In International Order in the turn of Century and the Forming of National culture Ed. NISHIKAW Nagao. Kashiwa Shobo. 147-170 (1999)

高木宏：世纪之交的国际秩序与民族文化的形成中的“樱花与民族主义”Ed.

TAKAGI Hiroshi: "A Call to Register the Nintoku Tomb as a World Heritage Site"Rekishigaku Kenkyu. 725. 32-35 (1999)

高木宏：“呼吁将仁德古坟登记为世界遗产”Rekishigaku Kenkyu。

高木博志: "(西川長夫他編)世紀転換期の国際秩序と国民文化の形成(第5章「桜とナショナリズム」を分担執筆)" 柏書房, 532 (1999)

高木浩：“（长尾西川等编）世纪之交的国际秩序与民族文化的形成（合着第五章“樱花与民族主义”）”柏书房，532（1999）

高木博志: "畝傍山・神武天皇陵・橿原神宮"is. 82. 52-55 (1999)

高木浩：“神武天皇陵、橿原神社”是。 82. 52-55 (1999)。

高木 博志: "桜とナショナリズム"『世紀転換期の国際秩序と国民文化の形成』 西川長夫編 柏書房 所収. 147-170 (1999)

高木浩：《樱花与民族主义》《世纪之交国际秩序与民族文化的形成》，西川长尾主编，收录于《柏书房》147-170（1999）。