The Forming of "A Sacred Place" Yama to : Modern Emperor System and Culture

在本研究中，我探讨了奈良从江户时代末期到1940年的过渡，从历史和神话古代的形成两个角度分析了大和形成圣地的过程。从某种意义上说，它是一种古代政治文化的重建。作为对神话古代的重建，我清除了明治维新时期兴起的一种观念，即神木是日本的开国元勋，江户时代末期建造神木的陵墓，鹿原供奉皇帝神社的神社的奠基，以及征用神山。乌奈比献给皇室。抗日战争后，整个山脚神圣化。乌内比开始了。它的神圣化于1940年完成。在这一时期，Kiki神话的虚构逐渐被具体化。1880年，欧内斯特·弗朗西斯科·费尔诺洛萨和田申·冈仓登申帮助重建了Holyuji或Kofukuji等古老的寺庙，在大和形成了三座山，作为皇室财产的Shosoin的皇家宝藏，1889年奈良帝国博物馆的成立，修复和保护了像Mt.吉野或奈良公园，以及像Heijokyo或古墓这样的历史景点。对一种文化资产的系统研究成为完成日本艺术史体系的基础工作，并与冈村登新首次在日本撰写的作品《日本艺术史》联系在一起。在这一点上，奈良的古代艺术被定位为与希腊古典古代的对比。后来，国家对古代文化的常识是通过文化主义来设定的，比如大正时代之后的Teturo Watuji的“古庙朝圣”、观光和学校教育。它逐渐渗透到社会中。

In this study, I approached the transition of Nara from the end of the Edo era to 1940, analyzing the process of forming Yamato into a sacred place from two points of view, the forming of historical and mythological ancient times. In a sense, it is a reconstructionism of ancient times as a political culture.As a reconstruction of mythological ancient times, I cleared a rise of an idea in the Meiji Restoration that Jinmu is a founder of Japan, construction of Jinmu's tomb in the end of the Edo era, foundation of Kashihara shrine dedicated to the emperor Jinmu, and requisition of Mt. Unebi to the imperial household. After the Chinese-Japanese War, sanctuarizing of the whole foot of Mt. Unebi started. Its sanctuarization was completed in 1940. In this period, fiction of Kiki myth was gradually visualized.A reconstruction of historical ancient times was realized with rebuilding of old temples like Holyuji or Kofukuji which Ernest Francisco Fernollosa and Tenshin Okakura helped to rebuild in 1880's, forming of three mountains in Yamato and royal treasure of Shosoin as property of the royal family, the start of Imperial Nara Museum in 1889, repairing and preservation of scenic spots like Mt. Yoshino or Nara Park and historical sights like Heijokyo or old tombs. Systematic research about a cultural asset became the foundation work to complete the Japanese art history as a system and was linked to Tenshin Okamura's work "Japanese Art history" which was written for the first time in Japan. In this, ancient art in Nara is positioned as the contrast to classical ancient times in Greek. Later, national common knowledge about ancient culture was set through culturalism like "A Pilgrimage to Ancient Temples" of Teturo Watuji after Taisho era, sightseeing, and school education. It gradually penetrated society.