Meiji Restoration and Changes of Kyoto Culture Modern Reorganization and Homogenization of <Japanese Culture> in 19th.

本文对明治维新与京都文化变迁的研究，旨在论证五个观点：(1)通过对17世纪至20世纪保存在神武和内神社的日记本《日美》等文献的分析，可以看出，神武祭的特征从前近代的“宫廷仪式-游行-神社仪式b>”的宫廷节日转变为近代与东京皇宫分离的神社节日。(2)前现代时期，东山、Arashiyama和宫内樱花名景与历史和传说有关，但随着Someiyoshino的传播，它们与民族主义联系在一起，并在此过程中创造了新的名景。3) b阴阳师、猴子演出者（Sarumawashi）、仙祖满仔等被视为社会地位低下而被鄙视的艺人和魔术师，在近代以前是皇帝必不可少的。本研究通过考察天神礼（天皇登基仪式）中的正月庆祝仪式和阴阳师服务仪式来验证这一点。4)本研究对日本两大古都奈良和京都的历史保护规律的发展以及日本天宫文化和国府文化等具有分期化的日本艺术史的建立有了更深入的了解。(5)阐明了以九门（Kyumon）为中心的天皇官邸的结构。庭院是普通人可以自由出入的开放空间，启门的前面是观光景点。此外，也有很多人进入皇宫，享受年节、盂兰盆、登基仪式等年度活动。在本报告中，与此主题相关的《京都皇宫研究》(Kyoto shotorisirabesho)>被转载。

This study of Meiji Restoration and changes of Kyoto Culture aims to demonstrate five statements: 1) Through analyzing documents, such as Hinami, a diary which was written from the seventeenth century to the twentieth century and kept in Kamowakeikazuchi Shrine, it becomes clear that Kamo Festival changed its characteristics from the imperial court festival out of <the court ritual-parade-the shrine ritual> in the premodern era to shrine festival, separated from Tokyo imperial palace in the modern era. 2) While Higashiyama, Arashiyama and famous sights for cherryblossom in the court residence were originally related to historicity and tales in the premodern period, they became tied to nationalism with the spread of Someiyoshino and new famous sights were created in this process. 3) Entertainers and magicians who were despised as humble social status such as Onmyoji, monkey showman (Sarumawashi), and Senzumannzai were necessary for emperors in the premodern era. This study verified it through examining rituals of celebrating January and Onmyoji service in Tennnodaigawari ritual (ritual of Emperor enthronement), 4) this study offers deeper understanding of the development of laws for historical preservation in Nara and Kyoto, two old capitals of Japan and the establishment of Japanese art history with periodization such as Tenpyo culture and Kokufu culture. 5) The structure of Dairi (the emperor residence) surrounded with Nine gates (Kyumon) was elucidated. Dairi was open space with common people free access, and the front of Kugyoumon (Gishumon) was a sight for sightseeing. Also, there were a number of cases that people entered the imperial palace and enjoyed a number of annual events such as Setsubun, Obon, and Enthronement ritual. In this report, related to this theme, <Kyotogoshotorisirabesho (study of Kyoto imperial palace)> was reprinted.