Contradictory Aspects of Madonna : De/Centering Femininity in Early English Drama

麦当娜的矛盾方面:早期英国戏剧中女性气质的去中心化

• 批准号: 10610452
• 负责人: SAKAINO Naoki
• 金额: $ 0.64万
• 依托单位: Iwate University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1998
• 资助国家: 日本
• 起止时间: 1998 至 2000
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-10610452/
• 关键词: Heywood, Thomas; English plays; romance; historical plays; comedy; feminism; ヘイウッド,トマス; 王政復古; 市場

Symbolically shown in the Bible with the name of Maria as both the mother of Christ and as the prostitute, the double nature of Madonna (i.e., represented as the symbol of Charity at the same time of sexual license, of non-carnal fruitfulness at the same time of sexual indulgence without procreation) shows the two extremities concerning female "value" in male-centered cultural milieu. The same moral extremities paradoxically promote de-centering of femininity-just as prince Hamlet remarks during his conversation with Ophelia on female beauty and chastity. This paradox can be traced in the convention of Romantic Comedy in which a protagonist must move the heart of his lady whose virtue should only be guaranteed by not moving. Such a contradictory nature of Romance is gradually extended as a symptom of the rise of civilization and the fall of feudalism. Through close readings of non-canonical works on electrical texts or facsimiles, the (lack of) moral development in the episode of Jane Shore shows the secularization of romantic violence as a means of wish-fulfillment in male (and cunningly, female) desire, instead of such female victims' liberation from the ominous dichotomy, even at the end of 20th century.

在圣经中象征性地显示玛丽亚的名字既是基督的母亲又是妓女，麦当娜的双重性质（即，在性放纵的同时又表现为慈善，在性放纵的同时又表现为无肉生殖），显示了男权文化语境中女性“价值”的两极。同样的道德极端矛盾地促进了女性的中心地位--正如哈姆雷特王子在与奥菲利亚的谈话中谈到女性的美丽和贞洁。这种悖论可以追溯到浪漫喜剧的惯例，其中主人公必须打动他的女士的心，而她的美德只能通过不动来保证。浪漫主义的这种矛盾性，作为文明崛起和封建衰落的一种征兆，逐渐被引申开来。通过对电子文本或传真的非经典作品的细读，《简·海岸》中道德发展的（缺失）表明了浪漫暴力作为男性（也是狡猾的女性）欲望实现愿望的手段的世俗化，而不是女性受害者从不祥的二分法中解放出来，即使在世纪末。

项目成果

境野直樹: "ロマンスの犠牲者-近世初期英国演劇における-Jane Shone挿話の変容"岩手大学英語教育論集. vol.3(未定). (2001)

Naoki Sakaino：“浪漫的受害者：早期现代英国戏剧中 Jane Shone 情节的转变”岩手大学英语教育评论，第 3 卷（待定）。

境野直樹: "電子テキストのあやうさ"コンピュータ&エデュケーション(CIEC会誌). vol.8. 23-27 (2000)

Naoki Sakaino：“电子文本的危险”计算机与教育（CIEC 期刊）第 8 卷（2000 年）。

Mitsuo SHIKODA & others eds.: ""Evolution of Romantic Comedy", in Eibungaku no Mori-Essays in Honour of Professor Yoshio Nishiyama"Tokyo, Shohakusya. 21-45 (2000)

志古田光雄

境野直樹: "英文学の社(部分執筆、「ロマンティック・コメディのゆくえ」)"仙台英文学談話会編,松柏社. 250(31-45) (2000)

坂野直树：《英国文学学会（部分撰写，《浪漫喜剧的未来》）》，仙台英国文学讨论组编辑，翔白社 250（31-45）（2000）。

Naoki SAKAINO: "Victims of Romance-Representing Jane Shore in Early Modern Theater"Bulletin of English Education Iwate University. No.3. 90-106 (2001)

坂野直树：《浪漫的受害者——早期现代戏剧中的简·肖尔》《岩手大学英语教育通报》。