A Study of Songs in Early English Drama

早期英语戏剧歌曲研究

• 批准号: 21520230
• 负责人: SAKAINO Naoki
• 金额: $ 1.33万
• 依托单位: Iwate University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2009
• 资助国家: 日本
• 起止时间: 2009 至 2011
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-21520230/
• 关键词: バラッド; 英国演劇; シェイクスピア; 挿入歌; 観客論; 英米文学; パロディ

Songs in early modern plays sometimes can be regarded as a"fingerprint"of the theatrical conditions ; music connects the fictive and real world as commodity. History of music, especially that of variety of consort, suggests that the songs in Shakespeare's As You Like It shows the changing role and function of the Fool, and that the play was held in presence of the Queen. If such is the case, the famous cliche by New Historicism arguing this play with"subversion-containment"model should strongly be challenged.

早期现代戏剧中的歌曲有时可以被视为戏剧环境的“指纹“;音乐作为商品连接着虚构的世界和真实的世界。音乐史，特别是各种各样的配偶，表明莎士比亚的《皆大欢喜》中的歌曲显示了傻瓜不断变化的角色和功能，而且这出戏是在女王面前举行的。如果是这样的话，新历史主义以“颠覆-遏制”模式来论证这出戏的著名陈词滥调就应该受到强烈的挑战。