Infinity and Covered Intensities in Paradise Lost : Ideal History of Organic and Nomadic representations

1.宇宙学的结构：(1)17世纪《失乐园》问世时，一些地图投影方法是通过微积分、数值积分等数学公式得到的。他们比以往任何时候都更令人信服地揭示，地图制图者在投影三维地球时，必须以某种方式在地图的二维平面内加入不可表示的无穷大。(2)在《失乐园》的宇宙论中，上帝之子被描绘成在创造的行为中包含无限，同时天堂作为一堵墙来限制无限。无限被包裹了两次，但还是让它穿过了这两道屏障，揭示出的是不可代表的本质。(3)史诗中的叙述者完全无视无限的滑移，以自己的有机再现方式吐露心声。2.上帝的概念：这首诗中有两种不同的叙述者：一种认为他可以用…囚禁无限更瘦的是有机的表现。另一位则不知不觉地透露，尽管他声称接受了一种隐喻，但我们应该以他的表面价值接受他的描述作为现实本身。(2)具有讽刺意味的是，后一位叙述者的出现使我们相信上帝和无限超出了有机表现的范围。3.唯物主义的科学：(1)圣灵的权威教义并没有在尼西亚议会中提出。在议会面前，这一直是受人尊敬的早期教父之间的争论焦点，即使在6世纪也是如此。(2)在文艺复兴时期，圣灵经常被描绘成光。在古典时代，光在科学上被认为是由被称为原子的物质微小粒子组成的，在17世纪仍然如此。(3)圣灵是光的思想被融合到文艺复兴时期的新柏拉图思想中，即人通过光上升到上帝的世界。(4)在唯物主义和哲学的背景下，圣灵等同于贾尔斯·德勒兹所说的强度，但它的真人大小的形象被《失乐园》中的有机代表缩小了。较少

1. The Structure of Cosmology : (1) In the seventeenth-century when Paradise Lost written, some map projection methods were obtained by mathematical formula such as the calculus and the numerical integration. They revealed more convincingly than ever before that mapmakers had to include unrepresentable infinity in some way or other within the two-dimensional plane of the map when they project the three-dimensional globe. (2) Within the cosmology of Paradise Lost, the Son of God is represented to encompass infinity within has act of Creation, and at the same time the Heaven works as a wall to circumscribe infinity. Infinity is enveloped twice, but still makes it way through these two barriers to reveal is unrepresentable nature. (3) The narrator in the epic totally disregarded the slippage of infinity, and confided in his own way of organic representation. 2. The Concept of God : Two different kinds of narrators are present in the poem : one who assumed that he could impound infinity wi … More thin the organic representation. and the other who unconsciously revealed that we should accept his description at his face value at its face value as reality itself despite his claim to accept as a metaphor. (2) Ironically, the presence of the latter narrator convinces us that God and infinity are beyond the range of organic representation. 3. The Science of Materialism : (1) The definitive doctrine of the Holy Spirit was not set forth in the Nicaea Council. It had been a bone of contention among the respected Early Church fathers before the Council, and continued to be so even in the sixth century. (2) The Holy Spirit had frequently been represented as light in the Renaissance. Light used to be considered in science to consist of material minute particles named atoms in the classical antiquity, and was still so in the seventeenth century. (3) The idea of the Holy Spirit as light was merged into Renaissance Neo-Platonic idea of man's ascent to the World of God by means of light. (4)The Holy spirit within the context of materialism and Philosophy was equivalent to what Giles Deleuze called intensity, but its lifesize figure was reduced by the organic representative in Paradise Lost. Less