权益分类	功能权益	普通用户	{{item.name}}会员
{{category.name}}	{{benefitItem.name}}

Cultural Hermeneutics for the Imagery Representation of Olympism

奥林匹克主义意象表征的文化解释学

基本信息

批准号：
10680046
负责人：
MASUMOTO Naofumi
金额：
$ 1.66万
依托单位：
TOKYO METOROPOLITAN UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1998
资助国家：
日本
起止时间：
1998 至 1999
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-10680046/
关键词：
Olympic Games Olympism sport film cultural hermeneutic '98 Nagano Winter Olympic Games 長野冬季五輪大会

项目摘要

1) Sport drama films related to the Olympic Games and TV broadcasting of the 1998 Nagano Olympic Games were mainly analyzed, described, and interpreted following VTR editing of the Olympism depicted in these imagery materials. The Olympism represented in the TV broadcasting of '98 Nagano Games were especially arranged as diversified expressive forms and contents from localism to globalism. As the result, it was clarified that the imagery representation of Olympism were not only presented in multidimensional aspects which consisted of individualism, ethnocentrism, nationalism, internationalism, and trans-nationalism, but also were represented depended on the local culture as a measure. These results were delivered all-inclusively in the 39th International Olympic Academy Youth session. Moreover, it was presented that the fixed images of Olympic Games that should be a peaceful festival were pervaded and reproduce by imagery media.2) The official Olympic film of the '98 Nagano Games by Bud Greenspan were centrally analyzed, described, and interpreted. It was clarified that the human stories as one of the athletes were more focused than the recordings of pure events despite of the IOC official film. This fact showed the emphasis of humanistic representation of Olympism, thus this results were affirmed as the representation which would urge to revise the prevailed and fixed views of Olympism. Nevertheless, I presented some papers in a few scientific congress that these idealistic color of representations have a negative role to cover the many Olympic related problems.3) The summary of the relationship between viewing sport films and molding the views of Olympus was conducted in case of students. Although this result showed the almost students had the obscure Olympic images, this substantiated that on screenings of the sport films had a strong impacts on the making views of the Olympism to the audience of sport films.

1）主要对与奥运会有关的体育电影和1998年长野奥运会的电视转播进行分析、描述和解读，并对这些图像材料中所描绘的奥林匹克主义进行VTR剪辑。 98年长野运动会电视转播中所体现的奥林匹克主义被特别安排为从本土主义到全球主义的多元化表现形式和内容。由此阐明，奥林匹克主义的意象表征不仅以个人主义、民族中心主义、民族主义、国际主义、跨国主义等多维维度呈现，而且以本土文化为衡量标准进行表征。这些成果在第39届国际奥林匹克学院青年会议上全面公布。并提出奥运会本应是一个和平节日的固定形象被图像媒体所渗透和再现。2)对巴德·格林斯潘拍摄的98年长野奥运会官方奥运影片进行了集中分析、描述和解读。据澄清，尽管有国际奥委会官方影片，但作为运动员之一的人类故事比纯粹赛事的录制更集中。这一事实表明了奥林匹克主义对人文再现的重视，因此这一结果被确认为将促使人们修正流行的、固定的奥林匹克主义观点的再现。尽管如此，我在一些科学会议上发表了一些论文，认为这些理想主义色彩的表述对于涵盖许多与奥运会有关的问题具有负面作用。3）以学生为例，对观看体育电影与塑造奥林巴斯观点之间的关系进行了总结。尽管这一结果表明大多数学生对奥林匹克形象的认知并不清晰，但这证实了体育电影的放映对体育电影观众对奥林匹克主义的看法产生了强烈的影响。