"Zeitoper" on the 1920's in Germany

1920 年代德国的“Zeitoper”

• 批准号: 11610050
• 负责人: OKADA Akeo
• 金额: $ 1.86万
• 依托单位: Kobe University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1999
• 资助国家: 日本
• 起止时间: 1999 至 2001
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-11610050/
• 关键词: Zeitoper; Melodrama; Movie; Movie-Music; Grand opera; Musicdrama; オペラ; 映画; 新即物主義; モンタージュ; クイマール共和国; 大衆娯楽; キャバレー文化; ヒンデミット; クリシェネク

The "Zeitoper" is an operatic genre which was very popular on the 1920s in Germany. Many famous componists like Hindemith, Well, R. Strauss, Dalbert etc were enchanted by it. The plot of this "Zeitoper" is focused on the ordinary life of an oridinary modern citizen. It is a kind of "home drame" or "detective story". The story isconsists of, instead of being devided into 3 or 4 or 5 "Acts", many short "scenes". Any operatic "climax" is avoided. The "Zeitoper" is a reactionary movement against the "Musikdrama" of Richard Wagner and also the "Grande opera" of Verdi.In this study I researched from the viewpoints of musical structure, dramaturgie and reception history. Many studies about the opera of the 20^<th> Century have spoken of the "death of the opera" on the 1920s. But in reality, opera composition was still not "dead".The "Zeitoper" was a historical "bridge" between the "Grand opera" of the 19^<th> century and the Holliwood movie of the 20^<th> century. Also the influende of the so-called "melodrama" is not to be overseen (The melodrama is a dramatic genre which was very populara in Paris of the 20th century).

“Zeitoper”是20世纪20年代在德国非常流行的一种歌剧类型。许多著名的作曲家，如兴德米特，嗯，R。这部《时代歌剧》的情节集中在一个普通的现代公民的日常生活上。这是一种“家庭戏剧”或“侦探小说”。这个故事是由许多简短的“场景”组成的，而不是分成3个或4个或5个“行为”。避免任何歌剧的“高潮”。“Zeitoper”是一场反对理查德·瓦格纳的“音乐剧”和威尔第的“大歌剧”的反动运动。许多关于20^世纪歌剧的研究<th>都谈到了20世纪20年代的“歌剧之死”。但在现实中，歌剧创作并没有“消亡”，《宰特歌剧》是连接19世纪“大歌剧”和20世纪好莱坞电影的一座历史“桥梁”<th><th>。此外，所谓的“情节剧”的影响是不可忽视的（情节剧是一种戏剧体裁，在世纪的巴黎非常流行）。

项目成果

岡田 暁生(単著): "オペラの運命"中央公論新社. 216 (2001)

冈田昭夫（单人作者）：《歌剧的命运》中央公论新社 216 (2001)。

岡田暁生: "週刊朝日百科オペラと文学"朝日新聞社. 30 (2000)

冈田昭夫：《朝日歌剧文学百科全书》《朝日新闻》30（2000）。

岡田 暁生(監修): "オペラの誕生"朝日新聞社. 30 (2000)

冈田昭夫（监督）：《歌剧的诞生》《朝日新闻》30（2000）。

Akeo OKADA: "opera no unmei"Chuo-koron-shinsha. 216p (2001)

冈田明雄：《歌剧之未命》中央公论新社。

Akeo OKADA (ed): "opera no tanjo"Asahi-shinbunsha. 30p (2000)

冈田明雄（编）：《歌剧之谈上》朝日新闻社。