Music and society in Germany during the First World War and its impact on the 1920s

本研究的目的是从第一次世界大战时期作曲家和音乐评论家的话语中寻找20世纪20年代音乐美学的根源。本文的研究重点是20世纪20年代战争与音乐文化的历史关系。作为例子，我研究了保罗·贝克的音乐美学，特别是1916年出版的《德国人》。贝克认为，协奏曲已经发挥了它的历史作用，战后应该创造一种新的音乐文化。

The aim of this study is to find out the roots of the music aesthetics on the 1920s in the discourses of composers and music critics during the first world war. The focus of this research is the historical relationship between the war and the music culture on the 1920s. As example I have researched the music aesthetics of Paul Bekker, especially"Das deutsche Musikleben", which is published in 1916. According to Bekker the concertmusic has already done its historical role and after the war a new music culture should be created.