THE GENERATING PROCESS OF THE IMAGE OF GEIJYUTSUKA IN JAPAN : HOW HAVE THE ARTISTS BEEN NARRATED?

日本艺妓形象的生成过程：艺术家是如何被叙述的？

• 批准号: 11610055
• 负责人: KISHI Fumikazu
• 金额: $ 2.3万
• 依托单位: DOSHISHA UNIVERSITY
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1999
• 资助国家: 日本
• 起止时间: 1999 至 2001
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-11610055/
• 关键词: artist; image; eshi; topos; expression; personality; painting; inner life; 浮世絵師; 画僧; メディア; 画人伝

This research aims to pursue the historical process in which the image of "geijyutsu-ka" peculiar to the age of modern in Japan was generated, by analyzing a variety of discourses referring to artists and their works. To achieve this purpose I followed the procedure undermentioned.First, I thoroughly examined an extensive amount of literature from ancient to early modern period in order to collect episodes of artists, who specialized in painting.Second, I summarized the plots of every episode and then reduced them to some kinds of "topos, " that is, the typical narratives or stereotyped expressions for the artists and their works.Third, I classified the topos according to artists, who were categorized into eight kinds of artists, that is, edokoro-eshi, e-busshi, gaso, goyo-eshi, machi-eshi, bunjin-gaka, and ukiyo-eshi.Forth, I analyzed what kinds of topos are selected, how they are combined, and how they are narrated imaginatively every category of artist.Fifth, I clarified that the image of bunjin-gaka and that of geijyutsuka have a continuous and discontinuous relationship in terms of the topos of "expression of personality/inner life" as well as "truckling to the times".

本研究旨在通过分析各种与艺术家及其作品相关的话语，追寻日本近代特有的“艺伎家”形象形成的历史过程。为了达到这个目的，我采取了以下的步骤：首先，我仔细地查阅了从古代到近代的大量文献，收集了专门从事绘画的艺术家的片段;其次，我总结了每个片段的情节，然后将它们归纳为某种“topos“，即艺术家及其作品的典型叙述或定型表达;第三，笔者根据艺术家的不同将主题进行了分类，将艺术家分为江户时代、江户时代、加桑时代、五代时代、町时代、文人时代和浮世绘时代八类。第四，分析了每一类艺术家选择了哪些主题，它们是如何组合的，以及它们是如何被叙述的。第五，我澄清了文人贺和艺妓冢的形象在“个性/内心生活的表达”和“顺应时代”的主题方面具有连续和间断的关系。

项目成果

岸文和: "絵画行為論-新しい美術史のために"美術史論壇. 10号. 57-72 (2000)

Fumikazu Kishi：“绘画行为理论——新的艺术史”艺术史论坛第10期。57-72（2000）。

岸文和(共編著): "日本美術を学ぶ人のために"世界思想社. 415 (2001)

Fumikazu Kishi（共同编辑）：“对于那些研究日本艺术的人”Sekai Shisosha 415（2001）。

KISHI, FUMIKAZU: "A THEORY OF PICTORIAL ACTS : SEEKING FOR THE NEW TEHORY OF ART"ART HISTORY FORUM. Vol. 10. 247-289 (2000)

岸文一：“绘画行为理论：寻求新的艺术理论”艺术史论坛。

J, Laube, S, Kohsaka, F, Kishi etc.: "Informationssystem und kulturelles Leben in den Staedten der Edo-zeit"Harrassowitz Verlag, Wiesbaden. 281 (2000)

J、Laube、S、Kohsaka、F、Kishi 等：“Informationssystem und kulturelles Leben in den Staedten der Edo-zeit”Harrassowitz Verlag，威斯巴登。

岸文和: "絵画行為論-新しい美術史のために"美術史論壇. 第10号. 247-289 (2000)

Fumikazu Kishi：“绘画行为理论——新的艺术史”艺术史评论第10期。247-289（2000）。