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A Historical and Archaeological Study on the Kushan Dynasty

贵霜王朝的历史考古研究

基本信息

批准号：
11610370
负责人：
ODANI Nakao
金额：
$ 2.3万
依托单位：
Toyama University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1999
资助国家：
日本
起止时间：
1999 至 2001
项目状态：
已结题

项目摘要

I published 9 articles and one book on the archaeological and historical studies on the Kushan Dynasty during the term of this project 1999-2001. The " New discoveries from the excavations at Ranigat, Pakistan " was my English paper read at the International Conference of South Asian Archaeology 1997 at Rome and was published late on February 2002. In this paper, summing up the result of our excavations at Pakistan and Afghanistan in 1960s and 1980s, I insisted that the Buddhist art of Gandhara was a rich product of religious and artistic activities of the Kushan Dynasty who had played an intermediary role in the silkroad trade.In these three years, I could travel abroad several times to gather new materials on the Kushan Dynasty and to participate in the international conferences. On the point of view of the Kushan history, I discussed the date of the colossal Buddhas at Bamiyan, Afghanistan, and in the process of investigation, I have noticed a new type of scrolls extant on the wall paintings of the 55m Buddha, regretfully blown up by the Taliban forces on March 2002. It was a vine scroll with leaves in loops, classical in style, derived from Gandhara art. The contour fines nearly had faded away and so its significance has been overlooked. It is this painting scroll that was contemporary with the construction of the colossal Buddhas. The modeling scrolls well known before at the Bamiyan might be additional decorations at the restorations of caves. The crowned prices represented on the wall of the 35m Buddha might be identified with a Kidara Kushan king and his family, who must be the patrons of Bamiyan Buddhism ca. 400 AD.

在1999-2001年期间，我发表了9篇关于贵霜王朝考古和历史研究的文章和1本书。2002年2月下旬，我在罗马举行的1997年南亚考古国际会议上发表了一篇题为《巴基斯坦拉尼加特考古发掘的新发现》的英文论文。本文总结了20世纪60年代和80年代在巴基斯坦和阿富汗的发掘成果，认为犍陀罗佛教艺术是贵霜王朝宗教和艺术活动的丰富产物，贵霜王朝在丝绸之路贸易中发挥了中介作用。在这三年中，我可以多次出国，收集关于贵霜王朝的新资料，参加国际会议。笔者从贵蜀历史的角度，讨论了阿富汗巴米扬大佛的年代，在调查过程中，我注意到在2002年3月被塔利班武装炸毁的55米大佛的壁画上有一种新的卷轴。这是一幅藤蔓卷轴，叶子成圈，风格古典，源自犍陀罗艺术。轮廓细纹几乎已经消失，因此它的意义被忽视了。正是这幅画卷与大佛的建造是同时代的。在巴米扬之前众所周知的模型卷轴可能是修复洞穴时的额外装饰。这尊35米高的佛像墙上所画的王冠价格可能与基达拉贵山国王及其家族有关，他们一定是公元400年巴米扬佛教的赞助人。