权益分类	功能权益	普通用户	{{item.name}}会员
{{category.name}}	{{benefitItem.name}}

THE "BODY" AND THE DISCOURSE IN FRENCH LITERATURE

法国文学中的“身体”与话语

基本信息

批准号：
11610514
负责人：
SATO Junji
金额：
$ 1.66万
依托单位：
HOKKAIDO UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1999
资助国家：
日本
起止时间：
1999 至 2000
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-11610514/
关键词：
FRENCH LITERATURE BODY DISCOURSE FACE MEANING 18^<TH> CENTURY FRANCE ROUSSEAU NERVAL 物語 18世紀主体ディスクール分析ロマン主義

项目摘要

The main subjet of this research : the discourse and the "body" in French literature, concens the personal identity, and this in the broadest sens of the word. The "discourse" is regaraded here as one that sustains a continuous developpement of the personal identity, which the "body" appears to disturb in some critical moments. In these crtical phenomena, it is masks that symbolise the rupture of an identity ; the masks provide, however, a masked person certain "liberty" to act, as the masks, susupending for some time his personal identity, are able to to open some possibility to act in an another way. This suspenstion of identity, and thus the possibility to act freely, include also a susupention of the meaning itself ; and the meaning can only be restored by making an another mask. So the "modernity" seems to mean this sort of passe of a mask to an another one ; the ideal of the French 18^<th> century enlightenment thought can be discribed as an effort for a perfection of artificial masks, which was called civilisation. Here appears a crucial probleme of the 21th century : in order to clarify the contemporary question of literature, we choosed Giacommetti and Genet as the major artists who seeked the profond meaning and the expressions of mask. We conclude that the solitude of 18^<th> century French writer Jean-Jacques Rousseau consisits mainly in the impossibility to detache his masks, because this possibility is already stolen. In this sens, Rousseau lived in a situation which strangely ressembles to our own situation.

这项研究的主要主题：法国文学中的话语和“身体”，浓缩了个人身份，这是在最广泛的意义上的。在这里，“话语”被认为是一种维持着个人身份的不断发展的话语，在某些关键时刻，“身体”似乎会扰乱这种身份。在这些关键现象中，面具象征着身份的破裂；然而，面具为戴面具的人提供了某种行动的“自由”，因为面具在一段时间内颠覆了他的个人身份，能够打开某种可能性，以另一种方式行事。这种对同一性的暂停，以及由此自由行动的可能性，也包括对意义本身的暂停；只有通过制作另一个面具才能恢复意义。因此，“现代性”似乎意味着一种面具对另一种面具的传递；法国18世纪启蒙思想的理想可以被描述为对人造面具的完美努力，这被称为文明。这里出现了21世纪的一个关键问题：为了澄清当代文学问题，我们选择了贾科梅蒂和热内作为寻求面具深刻意义和表达方式的主要艺术家。我们的结论是，18世纪法国作家让-雅克·卢梭的孤独主要在于不可能摘下他的面具，因为这种可能性已经被窃取了。在这个意义上，卢梭生活在一种奇怪的情况下，这种情况与我们自己的情况相似。