Investigation of the Works of Modern Architecture and the Analysis of its Formation Idea through the Method of Computer Graphics Representation

用计算机图形表示方法考察现代建筑作品及其形成思想

• 批准号: 11650662
• 负责人: SUGIMOTO Toshimasa
• 金额: $ 2.24万
• 依托单位: HIROSHIMA UNIVERSITY
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1999
• 资助国家: 日本
• 起止时间: 1999 至 2000
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-11650662/
• 关键词: Germany; Modernism; Architecture; computer graphics; formal language; architecture; モデリング

Using the computer system of our laboratory, including a graphic workstation newly bought in 1999 fiscal year with three-dimensional CG software, CAD data of architectural works was made (modeling), the CG image was expressed (rendering), and the formal analysis was tried for architectural works of various forms for 2 fiscal year.The treated architectural works are AEG turbine factory, other factory buildings and housing complex by Peter Behrens, the model theater at German Werkbund exhibition by Henry van de Velde, Sommerfeld house, the director's room of Weimar Bauhaus and "Totaltheater" project by Walter Gropius (and Adolf Meyer), the project for Alexander Platz remodeling competition, the project for the second competition for the square of Friedrichstrasse station and Reichsbank project by Mies van der Rohe. The change in the architectural form structure of the formation period and the mature stage of the modernism architecture in about 1910-about 1930 which arrived from art nouveau (Jugendstil) to the functionalism was analyzed.As though the interpretation of such transition was finished by a visual judgment or style interpretation so far, our analysis has showed that it is possible to reinterpret is as that the technique of modeling in the CG expression and the rendering processing might have a design system original in each stage. It was clarified to be able to interpret the characteristics of each stage as the difference of method on modeling and rendering. That is, simple cubic composition and texture mapping with two-dimensional pictures at Neoclassicism period in 1910's, curved surface elementalization at the end of Art Nouveau period, free formation with curved plane on surface model at Expressionism periods, and formation of spatial order on the three-dimensional orthogonal coordinate system and its spatial and environmental expression at Constructivism and International Style period.

利用我们实验室的计算机系统，包括1999财年新购置的带有三维CG软件的图形工作站，制作了建筑作品的CAD数据（建模），表达了CG图像（渲染），并对2个财年的各种形式的建筑作品进行了形式化分析。处理的建筑作品是AEG涡轮机工厂、其他厂房和Peter Behrens的住宅区、模型剧院。 亨利·范·德·维尔德的德国制造联盟展览、索末菲住宅、魏玛包豪斯的导演室以及瓦尔特·格罗皮乌斯（和阿道夫·迈耶）的“全剧场”项目、亚历山大广场改造竞赛项目、弗里德里希大街车站广场第二届竞赛项目以及密斯·凡德罗的德国国家银行项目。分析了1910年左右至1930年左右的现代主义建筑从新艺术运动（Jugendstil）到功能主义的形成时期和成熟阶段的建筑形式结构的变化。虽然迄今为止这种转变的解释是通过视觉判断或风格解释来完成的，但我们的分析表明，重新解释是可能的，因为CG表达中的建模技术和渲染处理可能具有 每个阶段的设计系统都是原创的。明确了能够将每个阶段的特征解释为建模和渲染方法的差异。即1910年代新古典主义时期二维图画的简单立方构图和纹理映射，新艺术时期末期的曲面元素化，表现主义时期曲面模型的自由形成，以及构成主义和国际风格时期三维正交坐标系上的空间秩序的形成及其空间和环境表达。