A Study on the process of formation of the Ritual Saisho-e in the Temple Yakusi-ji -from the viewpoint of tradition and creation in both of ritual and music

药师寺祭祀绘的形成过程研究——从礼乐传统与创作的角度

• 批准号: 13610056
• 负责人: SAWADA Atsuko
• 金额: $ 2.3万
• 依托单位: Osaka Kyoiku University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2001
• 资助国家: 日本
• 起止时间: 2001 至 2003
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-13610056/
• 关键词: Buddhist ritual; shomyo (Buddhist chant); rongi (Buddhist catechism); the Ritual Saisho-e; the Temple Yakusi-ji; restoration; transmission; the Sutra of Golden Light; 勅会; 論議

The Ritual Saisho-e in Yakushi-ji was established by the emperor's command in 830A.D., in which the "Suvarnaprabhasottama-sutra" was lectured and discussed. In the medieval period, Saisho-e was interrupted by the disturbance of war and was practiced on a small scale as Saisho-ko from the Edo era to the early Meiji. Since historical materials in Yakushi-ji were mostly burned down, we analyzed including the those of the other rituals and the scriptures relevant to Saisho-e and the "Suvarnaprabhasottama-sutra".First we investigated the following ; (1) process of formation and transformation of Saisho-e by historical materials of Saisho-e, Yuima-e, Misai-e and the other rituals based upon the "Suvarnaprabhasottama-sutra", (2) abstract and characteristics of the "Suvarnaprabhasottama-sutra", (3) condition of music (shomyo, rongi and gagaku) in the ritual performed gagaku, (4) the text of Saisho-e and its shomyo melodies considered to be chanted in the Ede era.On the results of the above-mentioned we studied the following ; (1) significance of the rituals based upon the "Suvarnaprabhasottama-sutra" which had gradually lost its role as the national sutra for protection, (2) characteristics of the ritual inclining to performing arts.The principle of the duality such as aesthetic quality inherent in religion and creativity immanent in tradition, that were derived from this research, was applied to restoring Saisho-e in Yakusi-ji. We reconstructed the contents of Saisho-e with instrumental music on the axis of restored rongi and shomyo, which offered the concrete of Saisho-e as in the Heisei era.

药师寺的斋照庵是在公元830年天皇的命令下建立的，其中“Suvarnaprabhasottama-sutra”被讲授和讨论。在中世纪时期，由于战争的干扰，Saisho-e被中断，从江户时代到明治早期，Saisho-ko被小规模地实践。由于药师寺的历史资料大多已被烧毁，因此，我们分析了其他仪式的历史资料，以及与斋释会和《圆明经》有关的经文。（1）以《圆明经》为基础，通过对斋释、御马、弥斋等仪式的史料，分析斋释的形成与转化过程;（2）《无量寿经》的内容和特点;（3）音乐的条件（4）江户时代被认为是唱诵的《西正惠》文本及其正名旋律。（1）以逐渐失去护国经地位的《无量寿经》为基础的宗教仪式的意义;（二）宗教仪式倾向于表演艺术的特点，宗教所固有的审美性和创造性等二重性原则从这项研究中得出的传统中的imaginary，被应用于恢复Yakusi-ji的Saisho-e。我们以复原的龙脊和昭明为轴心，用器乐重建了西所江的内容，这提供了平成时代西所江的具体内容。

项目成果

古坂紘一: "仏教文化学会十周年・北條賢三先生古希記念論文集『インド学諸思想とその周延』、「不生不滅考」"大正大学綜合佛教研究所. 723-746 (2004)

古坂浩一：“佛教文化学会成立十周年，北条贤三教授论文集‘印度学思想及其周边’、‘生命与不朽的思想’”大正大学佛教研究所723-746（2004年）。

古坂紘一: "最勝会の沿革と『金光明最勝王経』の経釈・問答-薬師寺文書『最勝会表白』『略問答』を中心に-"大阪教育大学研究紀要-第I部門人文科学. 第51巻第1号. 87-111 (2002)

古坂浩一：“最胜会的历史和‘Konkomyo Saisho-o-kyo’的解释和问答 - 以药师寺文献‘最胜会 Omohaku’和‘Ryaku Q&A’为中心 -》 大阪教育大学研究报告 - 第一部人文学科。第 51 卷，第 1 期。87-111 (2002)

古坂紘一: "『金光明最勝王経』重顕空性品に見る空性論と実践論"密教文化. 第211号. 63-94 (2004)

古坂浩一：“从‘空性斋胜大经’中的空性的沉重表现中看到的空性和实用性的理论”《密教文化》No.211. 63-94 (2004)。

Koichi FURUSAKA: "The Theory of sunyata and the Theory of Practice in the "Suvarnaprabhasottama-sutitra" Sunyata-Parivarta"The Mikkyo Bunka. Vol.211. 63-94 (2004)

古坂浩一：“《Suvarnaprabhasottama-sutitra》Sunyata-Parivarta 中的空性理论和实践理论”，《密教文化》。

澤田篤子: "『金光明最勝王経』に関わる儀礼における伝統と創造-シアターピースとしての視座から"お茶の水音楽論集-徳丸吉彦先生退官記念特集号. 第5号(予定). 1-20 (2003)

泽田敦子：《与‘Konkomyo Saisho O-kyo’有关的仪式的传统和创造力——从戏剧作品的角度》御茶之水音乐集——纪念德丸义彦教授退休的特刊第5期（预定）。 -20 (2003)