ETHNOMETHODOLOGY OF "HIROSHIMA" : ANATOMY OF EXPESSIONS OF "HIROSHIMA" IN MOVIES

“广岛”的民族方法论:电影中“广岛”表达的剖析

• 批准号: 13610258
• 负责人: YOSHII Hiroaki
• 金额: $ 2.11万
• 依托单位: University of Tsukuba (2003)Hiroshima Kokusai Gakuin University (2001-2002)
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2001
• 资助国家: 日本
• 起止时间: 2001 至 2003
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-13610258/
• 关键词: ATOMIC BOMB; MOVIE; ETHNOMETHODOLOGY; ENLIGHTENMENT; SOCIOLOGY; FILM ANALYSIS; MEDIA; CULTURAL STUDIES; ヒロシマ; 人権問題

I analyzed the characteristics of expressions of "HIROSHIMA" in popular movies, animations, and documentaries. And I found the fact that there are two characteristics in movies, that is, the lack of the concreteness of "HIROSHIMA" and the excess of the common nuclear images. The former characteristic is the proto-image of "HIROSHIMA", so I selected three movies, 【triple bond】 "GENBAKU NO KO" directed by SHINDO PTO, 1952, "HIROSHIMA" directed by SEKIKAWA HIDEO, 1953, "HADASHI NO GEN" directed by MASAKI MAMORU, 1983 【triple bond】, and analyzed them ethnomethodologically about the expressions of "HIROSHIMA" in these moviesI demonstrated that these three movies have unique images and original expressions of "HIROSHIMA". It is indeed these movies were made about fifty years ago, but they are never "old and dead" films. By seeing these movies, we can realize the impact of the A-bomb of "HIROSHIMA" nowI insisted that we should use more positively these movies in order to enlighten the unti-nuclear image, and found that I should further analyze TV documentaries about "HIROSHIMA" ethnomethodologically

我分析了“广岛”在流行电影、动画和纪录片中的表达特点。笔者发现，电影中存在两个特点，一是“广岛”的具体性不足，二是普通核形象过多。前一个特点是“广岛”的原型形象，所以我选择了三部电影，[三重键]由SHINDO PTO执导的“GENBAKU NO KO”，1952年，由SEKIKAWA HIDEO执导的“HIROSHIMA”，1953年，由MASAKI MAMORU执导的“HADASHI NO GEN”，1983年[三重键]，并对这三部电影中的“广岛”形象进行了民族方法论分析，论证了这三部电影中“广岛”形象的独特性和表达的独创性。.这确实是这些电影大约五十年前，但他们从来没有“老和死”的电影。通过这些电影，我们可以认识到“广岛原子弹”的影响，我坚持我们应该更积极地利用这些电影，以启发反核形象，并发现我应该进一步分析电视纪录片的“广岛”民族方法论