ETHNOMETHODOLOGY OF "HIROSHIMA" : ANATOMY OF EXPESSIONS OF "HIROSHIMA" IN MOVIES

分析了广岛在热门电影、动画片、纪录片中的表现特点。而我发现电影有两个特点，那就是缺乏《广岛》的具象性和超乎寻常的核影像。前者的特点是《广岛》的原型形象，所以我选取了三部电影，分别是1952年新藤忠雄执导的《三合一》、1953年关川秀夫执导的《广岛》、1983年真野雅明执导的《三合一》，并对这三部电影中广岛的表达方式进行了民族学分析，论证了这三部电影都有独特的广岛形象和原创表达。的确，这些电影是在大约50年前拍摄的，但它们从来都不是“老而死”的电影。通过看这些电影，我们现在可以意识到广岛原子弹的影响。我坚持认为我们应该更积极地使用这些电影，以启迪无核形象，并发现我应该从民族的角度进一步分析广岛的电视纪录片

I analyzed the characteristics of expressions of "HIROSHIMA" in popular movies, animations, and documentaries. And I found the fact that there are two characteristics in movies, that is, the lack of the concreteness of "HIROSHIMA" and the excess of the common nuclear images. The former characteristic is the proto-image of "HIROSHIMA", so I selected three movies, 【triple bond】 "GENBAKU NO KO" directed by SHINDO PTO, 1952, "HIROSHIMA" directed by SEKIKAWA HIDEO, 1953, "HADASHI NO GEN" directed by MASAKI MAMORU, 1983 【triple bond】, and analyzed them ethnomethodologically about the expressions of "HIROSHIMA" in these moviesI demonstrated that these three movies have unique images and original expressions of "HIROSHIMA". It is indeed these movies were made about fifty years ago, but they are never "old and dead" films. By seeing these movies, we can realize the impact of the A-bomb of "HIROSHIMA" nowI insisted that we should use more positively these movies in order to enlighten the unti-nuclear image, and found that I should further analyze TV documentaries about "HIROSHIMA" ethnomethodologically