Evolution from Feminism to Postfemimsm : Whereabouts of the Late Victorian Poetess Louisa Sarah Bevington

这个项目的目的是找到，编译，并在主页上公布尽可能多的路易莎萨拉哈贝文顿的主要来源，我相信这个项目几乎已经成功地实现了它的目标，因为编译的报告现在包括400多页。（网址：//www.hucc.hokudai.ac.jp/jp16571/）。除了诗人的传记资料外，这个项目的成果对大多数文学学者来说都是新的，由于她的生卒年被澄清与背景，她的散文和诗歌，没有被编入她的代表性的三本诗集，不仅在项目报告中，而且在我的主页上首次呈现。贝文顿的诗歌和政治生涯可以分为三个时期。直到19世纪70年代，她写的自然主义诗歌既有基督教的倾向，也有进化论的倾向。她的问题是由她的信仰，科学观察，和自然的先验理解回答。在1880年代，随着她的注意力转向社会，她离开了贵格会，开始写批评性的诗歌和散文，同时努力为社会问题找到更好的解决方案。19世纪90年代，当她回到英国时，她把自己定位为一名无政府主义者，并撰文反对维多利亚时代晚期英国不言而喻的不公正和邪恶。她从天真的贵格会教徒到不可知论思想家和政治活动家的个人演变，在她每十年的代表作品中表现出来：1876年《诗歌、歌词和十四行诗》（Poems，Lyrics，and Sonnets）和自由歌词（1895年）沿着与她不太知名的诗歌和散文。最后，我想感谢每一个人谁使这个项目成为可能，并在赠款-科学研究的援助帮助我继续这一目标，

The purpose of this project has been to locate, compile, and publicize in homepage as many primary sources of Louisa saraha Bevington as possible, and I believe the project has almost achieved its goal with success as the compiled report now consists of over 400 pages The product of this project is also available at my homepage Torch (http://www.hucc.hokudai.ac.jp/〜p16571/).In addition to the poet's biographical data, the outcome of this project is new to most literary scholars, as her birth as well as death dates are clarified with backgrounds and her essays and poems, which were not compiled in her representative three collections of poems, are presented not only in the project report but also in my homepage for the first time.Bevington's poetic as well as political career can be divided into three periods. Up until the 1870s, she wrote naturalistic poems with Christian as well as evolutionist tendencies. Her questions were answered by her faith, scientific observation, and transcendentalist understanding of nature. In the 1880s, as her attention moved toward society, she left Quakerism behind and began writing critical poems and essays while struggling to find a better solution for society's problems. When she came back to England, in the 1890s, she identified herself as an anarchist and wrote against the self-evident injustices and evils of late Victorian England. Her personal evolution, from innocent Quaker to agnostic ideologist and political activist, is expressed in her representative works of each decade : Key-Notes (1876), Poems, Lyrics, and Sonnets (1882), and Liberty Lyrics (1895) along with her less known poems and essays.Lastly I would like to thank everyone who made this project possible and the Grant-in-Aid for Scientific Reaseach which helped me continue this to the goal