The Rasa Theory as a tradition of Sanskrit literature in the Indian later medieval Poetics

印度中世纪后期诗学中梵文文学传统的罗莎理论

• 批准号: 13610640
• 负责人: MIZUNO Yoshifumi
• 金额: $ 2.18万
• 依托单位: Tokyo University of Foreign Studies
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2001
• 资助国家: 日本
• 起止时间: 2001 至 2003
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-13610640/
• 关键词: Keshavdas; Rasik-priya; Rasa-theory; Indian poetics; Indian theoretics of love; ケーシャヴ・ダース; ラスィク・プリヤー; サンスクリット; プラジ・バーシャー; ブラジ・バーシャー; ラスィク・プリャー; サンスクリット詩論書

This investigator has read and analyzed Rasik-priya, one of the medieval Indian texts in Braj-bhasa language dealing with the rasa theory which is an essential element in traditional Sanskrit poetics. The verses of this work by Kesavdas (1565-1617), a great poet and critic in the Orcha court of central India, are so hard to understand that it took us a lot of time. Some points as below, however, has been made clear.The first one of remarkable points is that we are able to find the stream of Indian theoretics of love (Kama-sastra) in this work, even though this is a poetics (Kavya-sastra) work. A lot of phrases based on the Kama-sastra are found in Sanskrit literary works, but are rarely in poetics works. Kesavdas has had reliance on Kama-sastra to describe the classification of heroines according to their feature of body and appearance.Another remarkable point is that this work has a very short prescription for each subjects relatively to its a little longer sample verses. The configuration like this seems seldom in Sanskrit poetics works, but this work looks on the same line with Sahityadarpana, a Sanskrit poetics work in 14^<th> centuries, especially on the topics of classification of heroines according to their condition (nayika-bheda).Through this research, we have become able to affirm that the medieval Indian poetics work has both the tradition and the innovation of Sanskrit, poetics.

该研究者已经阅读和分析了Rasik-Priya，这是Braj-Bhasa语言中的中世纪印度文本之一，涉及Rasa理论，这是传统梵语诗学的重要因素。凯萨夫达斯（Kesavdas）（1565-1617）的这项工作的经文是印度中部奇异法院的一位伟大的诗人和批评家，很难理解，以至于我们花了很多时间。然而，如下所示，已经明确了一些观点。第一个引人注目的观点是，我们能够在这项工作中找到印度的爱情理论（Kama-sastra），尽管这是诗学（Kavya-Sastra）的作品。梵语文学作品中发现了许多基于卡玛·斯特拉（Kama-Sastra）的短语，但很少在诗学作品中。 Kesavdas依赖Kama-Sastra来根据其身体和外观的特征来描述女主人公的分类。另一个了不起的角度是，这项工作对每个主题的处方都非常短，而相对更长的样本经文。这样的配置似乎很少在梵文诗学中有效，但是这项工作与Sahityadarpana相同，这是14^<th>世纪以来的梵文诗学，尤其是在女主角分类的主题上，根据他们的状况（Nayika-bheda）（Nayika-bheda）。梵语，诗学。