Islam and Ideologies of War, Gender and Class as Determinants of Musical Identity in Twentieth Century Aceh, Indonesia

伊斯兰教和战争意识形态、性别和阶级作为二十世纪印度尼西亚亚齐音乐身份的决定因素

• 批准号: DP0342960
• 负责人: Prof Margaret Kartomi
• 金额: $ 12.3万
• 依托单位: Monash University
• 依托单位国家: 澳大利亚
• 项目类别: Discovery Projects
• 财政年份: 2003
• 资助国家: 澳大利亚
• 起止时间: 2003-01-01 至 2006-11-09
• 项目状态: 已结题
• 来源: https://dataportal.arc.gov.au/RGS/Web/Grants/DP0342960
• 关键词: Islam; Ideologies; War; Gender; Class

In the colonial and postcolonial periods, the natural wealth and strategic location of Aceh province brought it fame, foreign contact and frequent war, yet its cultural expressions - which can help explain Acehnese behaviour and the current war situation - are poorly known. Aceh's musical identity is determined by intersections between the music's internal syntax and extramusical associations arising from ideologies and functions of religion, combat, gender and class; history of noble and religious leadership; and social change. New theories are presented that relate musical style to the ideologies and explain the performing arts' fusion of indigenous, Arabic and other foreign elements.

在殖民和后殖民时期，亚齐省的自然财富和战略位置为它带来了声誉、外国接触和频繁的战争，但它的文化表达--有助于解释亚齐省的行为和当前的战争局势--却鲜为人知。亚齐的音乐身份是由音乐的内部句法和音乐外联想的交集决定的，这些联想源于宗教、战斗、性别和阶级的意识形态和功能；贵族和宗教领导的历史；以及社会变化。提出了新的理论，将音乐风格与意识形态联系起来，并解释了表演艺术融合了本土、阿拉伯和其他外国元素。