Islam and Ideologies of War, Gender and Class as Determinants of Musical Identity in Twentieth Century Aceh, Indonesia

伊斯兰教和战争意识形态、性别和阶级作为二十世纪印度尼西亚亚齐音乐身份的决定因素

• 批准号: ARC : DP0342960
• 负责人: Prof Margaret Kartomi
• 金额: $ 17.66万
• 依托单位: Monash University
• 依托单位国家: 澳大利亚
• 项目类别: Discovery Projects
• 财政年份: 2003
• 资助国家: 澳大利亚
• 起止时间: 2003-01-01 至 2006-12-31
• 项目状态: 已结题
• 来源: https://researchdata.edu.au/islam-ideologies-war-aceh-indonesia/75401
• 关键词: Islam; Ideologies; War; Gender; Class

Islam and Ideologies of War, Gender and Class as Determinants of Musical Identity in Twentieth Century Aceh, Indonesia. In the colonial and postcolonial periods, the natural wealth and strategic location of Aceh province brought it fame, foreign contact and frequent war, yet its cultural expressions - which can help explain Acehnese behaviour and the current war situation - are poorly known. Aceh's musical identity is determined by intersections between the music's internal syntax and extramusical associations arising from ideologies and functions of religion, combat, gender and class; history of noble and religious leadership; and social change. New theories are presented that relate musical style to the ideologies and explain the performing arts' fusion of indigenous, Arabic and other foreign elements.

伊斯兰教和战争意识形态，性别和阶级作为二十世纪世纪印度尼西亚亚齐音乐身份的决定因素。在殖民时期和后殖民时期，亚齐省的自然财富和战略位置使其声名远扬，与外国接触和频繁的战争，但其文化表现形式----有助于解释亚齐人的行为和目前的战争局势----却鲜为人知。亚齐的音乐特征是由音乐的内部句法和音乐外的联想之间的交叉点决定的，这些联想产生于宗教、战斗、性别和阶级的意识形态和功能;贵族和宗教领导的历史;以及社会变革。提出了新的理论，将音乐风格与意识形态联系起来，并解释了表演艺术融合了本土，阿拉伯和其他外国元素。