Study of European Classical Theater and Kyogen

2004年：我有机会去罗马La Sapienza大学，并制作了我自己改编的Kyoge，Yopparaino-shikaeshi（基于莎士比亚的第十二夜）。在罗马和日本的巡回演出都很成功。2005年：为了进一步探索这种文化融合在原创戏剧作品中的可能性，创作了一部名为《小野惠织》（Koino-hoeori）的新剧，并在罗马和日本各地巡回演出。2006年：在罗马组织了一次Kyogen工作坊，考察了意大利学生对日本古典Kyogen戏剧的反应。发现他们的反应是直接和自发的。这证明了幽默感在京原是普遍的2007年：这是最后一年， ...更多信息 我的研究项目因此，我设法做了两件事：组织了一个关于Kyogen和Commedia dell'arte的国际论坛，并出版了一本书，Kyogen和Commedia delarte-Dynamiszrn of Cultural Fusion。论坛包括一个关于这一主题的国际会议，以及一次日本剧院之旅，演出了三部不同的作品：《Kyogen Susugigawa》、《Commedia dell'arte Bilora》（写于B A）。Beolco大约1520年），也是我自己的改编Itachi，以显示喜剧的意大利和Japna以及显示什么会出来时，他们混合。还为名古屋的Villagio Italiano写了一部短剧《Koino-tawamure》，并与Kyogen演员和意大利学生一起执导。开始了“剧场计划Si”，以进一步融合日本和欧洲文化的戏剧实验，专注于改编莎士比亚的悲剧，同时在这个过程中，将Kyogen和Opera的某些方面融合在一部戏剧中。将继续以完全不同于喜剧的戏剧形式进行文化融合的实验。少

2004: had an opportunity to go to University of Roma La Sapienza and to produce my own adapted Kyoge, Yopparaino-shikaeshi (based on Shakespeare's Twelfth Night). Had a successful show in roma and tour of Japan. This stage is an example of cultural fusion on stage and proved such a cultural mix was possible.2005 : Proceeded with furthere experiment to see if this kind of cultural fusion was possible in original theatre work, and wrote a new plau called Koino-hoeori, and showed it in Roma and toured around Japan with it. The production was a great success in two aspects ; original work was possible for theatre production and also the original work had more direct appeal to the audience though culturally mixed.2006 : Organized a Kyogen workshop in Roma and examined how oedinary Italian people would respond to Japanese classical Kyogen theatre. Found out that their response was direct and spontaneous. This proved the sense of humuor in Kyogen is universal2007: This was the final year for … More my research project. So I managed to do two things: organize an International forum on Kyogen and commedia dell'arte and published a book, Kyogenand Commedia delarte-Dynamiszrn of Cultural Fusion. The forum included an international conferenceon the very subject and also a theatre tour of Japan with three different productions: Kyogen Susugigawa, Commedia dell'arte Bilora (written b A. Beolco around 1520) and also my own adaptation Itachi to show comedies of Italy and Japna as well as showing what would come out when they were mixed. Also wrote a short play, Koino-tawamure for the Villagio Italiano in Nagoya and directed it with the cast of Kyogen actor and Italian students. Started 'Theatre Project Si' to further my experiment in the theatre mixing Japanese and European Cultures, focusing on adapting Shakespeare's tragedies, while in the process, mixing some aspects of Kyogen and Opera in one play.Will carry on with my experiments with cultural fusion in a totally different form of theatre from comedy. Less