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The Process of Formation and Influence of "Rodin's Sayingd' Edited by Kotaro Takamura

The Process of Formation and Influence of "Rodin's Sayingd' Edited by Kotaro Takamura
高村光太郎主编的《罗丹语》的形成过程及影响
批准号:
18520099
负责人:
TAKAHASHI Koji
金额:
$0.34万
依托单位:
依托单位国家:
日本
项目类别:
Grant-in-Aid for Scientific Research (C)
财政年份:
2006
资助国家:
日本
项目状态:
已结题
起止时间:
2006 至 2007

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中文摘要
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英文摘要
Rodan no Kotoba (Rodin's Sayings) edited, quoted and translated to Japanese by Kotaro Takamura (1883-1956), Japanese sculptor, poet, and art critic, are not only very famous but also very much influential for Japanese people to understand the works and life of French Sculptor, Auguste Rodin (1940-1917) in Japanese Modern Arts. Among other translations to Japanese, Takamura's is a special subject of inquiry because of its knotty problem of translation and edition.The reporter made some researches on the French & English texts of Judith Cladel (1873-1958), French woman of letters, journalist, and secretary to Rodin, and on those in English of Frederick Lawton (?-?), probable English writer, and secretary & interpreter to Rodin, in terms of "Rodan no Kotoba" by Takamura.The texts of Cladel taken up in this research are Auguste Rodin, l'oeuvre et l'homme (1908), "Rodin's Note-Book", Century Illustrated Magazine (1914), and Rodin The Man and His Art with Leaves from His Note-Book (1917). In comparison to these texts, Rodan no Kotoba (Rodin's Sayings)(1916) and Zoku Rodan no Kotoba (Rodin's Sayings : second volume)(1920) by Takamura in Japanese were analyzed and considered.The texts by Lawton taken up are Life and Work of Auguste Rodin (1906) and Francois Auguste Rodin (1907). These texts are made comparison with Japanese texts by Takamura, `Rodart no Shiso' (Rodin's Thoughts) in Teikoku Bungaku"(Imperial Literature Magazine)(1916) and Zoku Rodan no Kotoba (1920).These original texts are very important for Takamura to understand the art and life of Rodin and he edited and made up "Rodan no Kotoba" like a collection of aphorism. But his translation is very much correct, fluent, plain, and "not poetic" (by Takamura), keeping the meaning and rhythm of the original texts. His way of edition may look arbitrary, but is intended to make a collection of direct and meaningful voices of Rodin, to the process of experience of readings of Takamura.
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I - "Rodan no Kotoba" Seiritsu no Zentei (Study of Auguste Rodin I : The Condition of Formation of "Rodin's Sayings" in Japan)(in Japanese)
I - “Rodan no Kotoba” Seiritsu no Zentei(奥古斯特·罗丹研究 I:日本“罗丹语录”的形成条件)(日语)
DOI: --
发表时间: 2007
期刊: Research in Arts, College of Art, Nihon University Vol. 45
影响因子: --
作者: [Koji, Takahashi, Rodan, Kenkyu]
通讯作者: Kenkyu
ロダン研究II-ジュディット・クラデルとフレデリック・ロートン-
罗丹研究 II - 朱迪思·克拉德尔和弗雷德里克·劳顿 -
DOI: --
发表时间: 2008
期刊: 日本大学芸術学部紀要 47
影响因子: --
作者: [Akiko, Odaka, 高橋 幸次]
通讯作者: 高橋 幸次
ロダン研究I-「ロダンの言葉」成立の前提-
罗丹研究一——“罗丹之言”成立的前提——
DOI: --
发表时间: 2007
期刊: 日本大学芸術学部紀要 45号
影响因子: --
作者: [Koji, Takahashi, Rodan, Kenkyu, 高橋 幸次]
通讯作者: 高橋 幸次
「ロダン 神話の解体と展望」(永井隆則編『フランス近代美術史の現在-ニュー・アート・ヒストリー以後の視座から』)
《罗丹:拆解神话与前景》(永井刚典主编《当代法国现代艺术史——来自后新艺术史的视角》)
DOI: --
发表时间: 2007
期刊:
影响因子: --
作者: [Koji, Takahashi, Rodan, Kenkyu, 高橋 幸次, 高橋 幸次, 高橋 幸次]
通讯作者: 高橋 幸次
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