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The Process of Formation and Influence of "Rodin's Sayingd' Edited by Kotaro Takamura

高村光太郎主编的《罗丹语》的形成过程及影响

基本信息

批准号：
18520099
负责人：
TAKAHASHI Koji
金额：
$ 0.34万
依托单位：
Nihon University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2006
资助国家：
日本
起止时间：
2006 至 2007
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-18520099/
关键词：
Art History Aesthetics Comparative Literature Sculpture Modernity

项目摘要

Rodan no Kotoba (Rodin's Sayings) edited, quoted and translated to Japanese by Kotaro Takamura (1883-1956), Japanese sculptor, poet, and art critic, are not only very famous but also very much influential for Japanese people to understand the works and life of French Sculptor, Auguste Rodin (1940-1917) in Japanese Modern Arts. Among other translations to Japanese, Takamura's is a special subject of inquiry because of its knotty problem of translation and edition.The reporter made some researches on the French & English texts of Judith Cladel (1873-1958), French woman of letters, journalist, and secretary to Rodin, and on those in English of Frederick Lawton (?-?), probable English writer, and secretary & interpreter to Rodin, in terms of "Rodan no Kotoba" by Takamura.The texts of Cladel taken up in this research are Auguste Rodin, l'oeuvre et l'homme (1908), "Rodin's Note-Book", Century Illustrated Magazine (1914), and Rodin The Man and His Art with Leaves from His Note-Book (1917). In comparison to these texts, Rodan no Kotoba (Rodin's Sayings)(1916) and Zoku Rodan no Kotoba (Rodin's Sayings : second volume)(1920) by Takamura in Japanese were analyzed and considered.The texts by Lawton taken up are Life and Work of Auguste Rodin (1906) and Francois Auguste Rodin (1907). These texts are made comparison with Japanese texts by Takamura, `Rodart no Shiso' (Rodin's Thoughts) in Teikoku Bungaku"(Imperial Literature Magazine)(1916) and Zoku Rodan no Kotoba (1920).These original texts are very important for Takamura to understand the art and life of Rodin and he edited and made up "Rodan no Kotoba" like a collection of aphorism. But his translation is very much correct, fluent, plain, and "not poetic" (by Takamura), keeping the meaning and rhythm of the original texts. His way of edition may look arbitrary, but is intended to make a collection of direct and meaningful voices of Rodin, to the process of experience of readings of Takamura.

日本雕塑家、诗人、艺术评论家高村幸太郎(Kotaro Takamura，1883-1956)编辑、引用并翻译成日文的《罗丹的语录》(Rodan No Kotoba)，不仅对日本人了解法国雕塑家奥古斯特·罗丹(Auguste Rodin，1940-1917)在日本现代艺术中的作品和生活产生了非常著名的影响。在众多的日文译本中，高村的译本因其复杂的翻译和编辑问题而备受关注。笔者对法国女文学家、记者、罗丹的秘书朱迪思·克拉德尔(1873-1958)的英法文本，以及可能的英国作家、罗丹的秘书兼翻译弗雷德里克·劳顿(？-？)的英译本，从高村的《Rodan no Kotoba》一书的角度进行了研究。研究中采用的克拉德尔的文本有奥古斯特·罗丹、L和L(1908年)、《罗丹的笔记》、《世纪画报》(1914年)和《人罗丹及其艺术与笔记》(1917年)。通过对罗丹诺·科托巴(罗丹语录)(1916年)和佐库·罗丹诺·科托巴(罗丹语录第二卷)(1920)的日文文本的分析和思考。劳顿采用的文本是奥古斯特·罗丹(1906)和弗朗索瓦·奥古斯特·罗丹(1907)的《罗丹的生活和工作》。这些文本与高村、《帝国文学杂志》(1916年)和左库罗丹诺·科托巴(1920)的日文文本《罗丹的思想》(罗丹的思想)进行了比较。这些原文对于高村理解罗丹的艺术和生活是非常重要的，他像格言集一样编辑和编撰了《罗丹的思想》。但他的翻译非常正确、流畅、朴素，而且(高村的)不具诗意，保持了原文的意思和节奏。他的编辑方式可能看起来很武断，但他的意图是收集罗丹的直接和有意义的声音，以体验高村的阅读过程。