权益分类	功能权益	普通用户	{{item.name}}会员
{{category.name}}	{{benefitItem.name}}

The Transformations and the Development of German National Cinema

德国民族电影的转型与发展

基本信息

批准号：
18520219
负责人：
TANAKA Yuji
金额：
$ 1.98万
依托单位：
Kumamoto University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2006
资助国家：
日本
起止时间：
2006 至 2007
项目状态：
已结题

项目摘要

The research in Bundesarchiv-Filmarchiv Berlin and Deutsches Institut Sir Filmkunde in Frankfurt gave the head Investigator some important suggestion of German National Cinema.The international success of Passion and The Cabinet of Dr. Cajgan confirmed that films with 'typical German Styles could be profitable and that only emphasis on the national would make German companies competitive internationally The positive reception of these films in the United States provoked fears of a 'German invasion' and prompted several studios to eliminate the unwanted competition by inviting some of the major players to Hollywood: E. Lubitsch, P.Negri. as early as 1922, and G.W. Murnau in 1926.Hollywood cinema was originally an immigrant-oriented industry. Thus not only the founders of the industry, but also lots of filmmakers from foreign countries came to Hollywood, and became a sustainable creative factor to the industry. In that situation, German directors came to take prominent roles in creating … More new Hollywood films. To cite a few names, such as F.W Murnau and Fritz Lang, the famous German film directors came to Hollywood and succeeded to make good Hollywood films in the new circumstance. This means that the film industry has already been an international one at that time (in 1920s・30s), and that therefore there was no difficulty to bridge between German Film and American film. Almost every filmmaker has already in corporate (he classical Hollywood film style by the late 1920s. The international itj' of the filni style made it possible far the industry to sell films abroad and accept foreign filmmakers. The flexibility of the film industry was a key to the development of the industry. Indeed 1930s saw a flourishing Hollywood innovation both in technology and human resource. Thus German film directors felt no difficulty to work under an unfamiliar circumstance. It is true that they could not German-like films in the USA, but it was possible for them to make a little bit alternative Hollywood films in the USA Some of the German film directors had to change his style from German period to American period, in spite that they made successful American films as well as their German films. Less

Bundesarchiv的研究-柏林的Filmarchiv和法兰克福的Deutsches Institut Sir Filmkunde给了首席研究员一些关于德国国家电影的重要建议。《激情》和《卡根博士的内阁》在国际上的成功证实了具有“典型德国风格”的电影可以盈利，只有强调国家风格才能使德国公司在国际上具有竞争力。引起了人们对“德国入侵”的恐惧，并促使几家电影公司邀请一些主要演员到好莱坞来消除不必要的竞争。Lubitsch，P. Negri.早在1922年，G.W.好莱坞电影最初是一个以移民为导向的行业。因此，不仅是行业的创始人，而且许多来自外国的电影制片人来到好莱坞，并成为行业的持续创造因素。在这种情况下，德国导演在创作中发挥了重要作用， ...更多信息好莱坞新电影以F·W·穆尔瑙和弗里茨·朗为例，德国著名导演来到好莱坞，并在新的环境下成功地制作出了好的好莱坞电影。这意味着当时（20世纪20年代和30年代）的电影工业已经是国际性的，因此德国电影和美国电影之间的桥梁并不困难。几乎每一个电影制片人都已经在公司（他的经典好莱坞电影风格的20世纪20年代末。电影风格的国际化使电影业有可能向国外出售电影，并接受外国电影制片人。电影业的灵活性是该行业发展的关键。事实上，20世纪30年代，好莱坞在技术和人力资源方面都进行了蓬勃发展的创新。因此，德国电影导演在一个陌生的环境下工作并不感到困难。的确，他们不能在美国拍出德国式的电影，但他们有可能在美国拍出一点另类的好莱坞电影。一些德国电影导演不得不改变他的风格，从德国时期转向美国时期，尽管他们在拍德国电影的同时也拍出了成功的美国电影。少