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Basic study for Esoteric iconographic image about Gensho-bon and formerly in Possession of Kozan-ji Temple

高山寺藏原照本及旧藏秘传图像基础研究

基本信息

批准号：
19520111
负责人：
UCHIDA Keiichi
金额：
$ 1.5万
依托单位：
Showa Women's University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2007
资助国家：
日本
起止时间：
2007 至 2009
项目状态：
已结题

项目摘要

This research considers the trait that is an esoteric iconographic image in the Heian period end that flowed out from priest Gensho and Kozan-ji temple in Kyoto. Gensho-bon and old Kozan-ji temple book also has the one that it is owned to the museum in Japan and foreign countries. And the collector own it. The in-depth data of those examples was accumulated, and it collected, it investigated, and basic data was accumulated while taking a photograph.The investigation destination was done with Tokyo National Museum, Tokyo University of Art Museum, two or more individuals, Asian Museum in San Francisco, New York Metropolitan Museum, and Spenser Collection of New York Public Library for three years.The investigation was done by using various forms. It is because of consideration of the restoration when it is in the state folded for instance and it thinks about the order situation of Kamakura period. It is necessary to research more though each image also has the one to have already published in an academic journal. Each import and introduction persons problems remain.It was able to find the development newly expected in relation to the problem of the image circulation put from the Heian period end on the Kamakura period.A lot of problems of deriving by these basic researches will become the problem institutions progressive studyMoreover, the by-product of a basic research on the image is to be able to catch a glimpse of the appearance of the work of art circulation in modern ages like the collectors existence.

本研究探讨了从京都源正和高山寺流出的平安时代末期的深奥图像特征。源正本和古高山寺的书籍中也有一本被日本和外国的博物馆收藏。收藏家拥有它。这些实例的深入数据是积累起来的，一边拍照一边收集、调查，积累基础数据。调查地点是东京国立博物馆、东京艺术大学博物馆、两人以上、旧金山亚洲博物馆、纽约大都会博物馆、纽约公共图书馆斯宾塞收藏馆，历时三年。调查采用多种形式进行。这是因为考虑到例如折叠状态下的修复，以及镰仓时代的秩序状况。尽管每张图像都有已经在学术期刊上发表过的图像，但仍有必要进行更多研究。每个导入和介绍者的问题仍然存在。从平安时代末期到镰仓时代，能够找到与图像流通问题相关的新的发展。这些基础研究所衍生的许多问题将成为问题机构的进步研究。而且，图像基础研究的副产品是能够一睹近代艺术品流通的面貌，比如收藏家的存在。